In this quasi-one-act play, Polanski returns to an original dramatic form:
Imagine putting two people/people with very different values in a room together. What good things will there be to watch?
As the exit of the closed space where the story takes place, the scene of the corridor leading to the elevator plays the role of plot segmentation.
The main characters are here two in and two out, and the audience's strings have just loosened and tightened. Every time the two sides walked to the elevator entrance, a new contradiction arose, pushing the contradiction to a new high.
On the surface, it seems that every time the good old man Michael offered to drink some coffee and wine to save the situation, and Allen unconsciously accepted the good intentions that allowed the story to continue. In fact, it was the middle-class rationality of both sides that allowed the values. The war was maintained.
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