Aunt Judy's smile at the beginning was so warm that I couldn't believe that this film was called "Killing". "Hehe, don't you like this word? Hehe, okay, I will change it." As the character with the greatest emotional contrast in this film, her superficial warmth lies in the label of "culture" and "human rights" on her body. Because of the work she is engaged in, she is the closest to the culture of the four people, so we imagined that the "cultural person" breath is reflected in her. Her son was beaten and still invited the other's parents to be a guest, euphemistically expressing "At least we I'm willing to sit down and solve the problem without quarreling." Even at the beginning of the film, the cheerful Judy with the good face of John C makes it a bit blurry who is the victim.
This role is also suitable for Judy. Judy's gentle and calm interpretation before the outbreak is very smooth. In some minor details, for example, she first proposed "It is not good to let the victim run back and forth" and "Attention! Your son It was deliberate” such a sharp principle, such as the helpless look in her eyes when Waltz answered the phone. Judy is gradual and successful in the ups and downs of the characters' emotions.
As if the intellectuals are all fake angry youths, Judy started the first round of explosions after Kate put the vomit on the painting album. She walked from the living room to the kitchen and talked about "stupid bitch" in her mouth and made fun of "doodle" with her husband. At that time she already showed a mocking face, although she tried to hide it afterwards, but the paper could not contain the fire after all.
The family factor is also the fuse that Judy cannot let go. She has a red heart for the people, but her husband only knows the model of the toilet. She thinks her career is great, but the holy human rights in her mouth can only be used to wipe Kate's ass. . Well, this time it should erupt. At first, the good wife and mother who patted her husband on the chest and praised his love to be with the children disappeared, because the most sacred and fragile place in her heart was finally stomped viciously by a stranger. He spit out thick sputum, and what is even more sad is that her husband is also standing in the opposite direction from her.
Judy finally broke down. She drank whiskey wildly. Poor her husband was so mediocre and not like Obama. She finally scolded viciously, "Your son is a fucking villain." She finally slapped Kate's famous brand. Go out and smash all the hypocrisy and false statements of the enemy.
Yes, hypocrisy. If there is some truth in the outburst of Judy, Kate's hypocrisy is complete. Does she really know where the tulips are sold? Does she really think the apple and pear pie is delicious? Does she really want her son to apologize? Does she really love her husband?
After vomiting, Kate suddenly became sober-since she lost her face to grandma's house, she just made it clear. I ask you, if you didn't say that our son is a villain, he wouldn't be like that.
The change here makes me the same difference as John C-"You are very energetic after you vomited." The
Judy family was caught off guard by this view. You hit my child, ate my pie, and vomited a place in my home. Tell me all the mistakes should be "shared" with me. Share your sister!
After Kate, the alcohol faded her disguise. She looked at Judy's comments on John C. She couldn't help thinking of herself. After thinking of her vomiting, Waltz only worried about suits and leather shoes, thinking that her children's education was always hers. People were worrying, thinking that the BlackBerry phone that kept ringing had embarrassed herself countless times. She felt deep helplessness and sadness. These finally turned into nowhere to vent anger. She held Judy’s wine glass and pointed. When Judy said, "I want to wipe my butt with the human rights in your mouth" "Your son is a fucking villain, and my son plays well." To be honest, these are really angry words, because Kate didn't say anything. A few words of truth, there have been no.
On the other hand, Waltz, he is the most real person in the whole situation, because he is really a bastard, from beginning to end. Although excuse me no matter how much excuse me is said, anyone with a discerning eye can tell-I thought he was an asshole when he made ugly laughs from his mouth eating pie on the phone.
The four people except John C are slightly weaker-his cowardice can be more obvious, and they all gave superb performances and the drama is full of tension. At the end of the credits, we found that the child and the hamster are both very good. I think that after the chaotic hours, the four of them will regret what they did at the time, because their barbarism is only in their bones, civilization is on their cheeks, and it’s okay if you don’t want civilization. Shameless is not good.
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