When I saw Kerry Knightley, there was only a little innocence and happiness in the title, shallow, subtle and beautiful, not like the girly fiery feelings in "Pride and Prejudice", but I found that she was more beautiful like this. The frenzy and indulgence are not always her style.
Because I haven't watched a literary film for a long time, my inner desire for the plot is constantly rolling in my heart, but I forgot that it was adapted from the work of the author of "The Pianist at Sea". There is no doubt that he captured the essence of him and captured the feelings of the people in the film so forbearance.
The life of 1900 was a legendary life, and Harvey's life was nothing but an extremely ordinary life, a few trips of thousands of miles, but changed a dialogue that "will always love you" knowingly was a lie every time they parted, no People will think it is ironic, because everyone knows that this is just a fool who is in love and will believe it. It is normal to appear in a literary film.
Are literary films meant to be confusing and ignorant? Going around in such a big circle, telling a man to cherish the woman around him, but this man is only bewitched by a false imagination, and it is not the oriental woman he is obsessed with who has sex, when the oriental woman takes another woman's hand. When it was put into his hands, what were he and she thinking about, and she was always waiting outside the door, why? If it weren't for the foreshadowing, if it wasn't for mutual affection, why would the plot here, the most crucial plot of betrayal, be so unclear?
Some people say that this is a movie about the growth of men, and I agree with it, but why do men grow up in marriage? Does marriage bring them any constraints? Hehe, everyone watching movies always comes with their own inherent concept of something, and I am even more so, in the plot of the movie, we constantly understand men, understand love, and then accept the reality, or continue in the movie An ideal that we cannot achieve in reality.
Traveling far makes you see beautiful scenery, and traveling far also makes you be tested and tempted by human nature. Don’t test anything lightly. Human nature is extremely fragile. A perfect marriage without any flaws and betrayal is extremely rare, but we Still willing to believe, right?
Although it is a movie about the growth of men, how many men will watch this movie patiently? And what all girls are moved from this movie is Helen's loyal love. The lilies in the yard are beautifully blooming in the sun. I can smell the fragrant aroma. When we are mature, we can have a good life. How about running your own yard, deeply moved by the fragrance of your own yard, and guarding it for a lifetime?
I like this style, oil painting-like scenery, soothing music, and quiet narration, but the message conveyed by the film is often a variety of people. The director of this movie made me unable to give five stars, which is a little regretful, because a good movie can express the spirit of the original work vividly, such as Ang Lee's "Sense and Sensibility" and so on.
However, the plot is the plot, not everyone's storytelling is first-class, and the film is still a bit moving in the end, although I was a little chilled when I saw that plot, the beautiful woman has gone, when the treasure is not treasured, no matter what How, the same pain for Harvey. Furthermore, the camera and lens of the film are really beautiful, no wonder some people regard it as a landscape film.
There is still a touch of disappointment, because after such a beautiful scenery, there is still unchangeable human nature and realistic love. The disappointment probably does not come from the film, but perhaps from some kind of reality that has to be admitted.
So beautiful, the sadness and love hidden in the lily garden, so bewildered and powerless to persist, are as fragile and weak as silk, yet strong and tenacious.
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