A model of fuss-Film Critic

Rosemarie 2021-11-26 08:01:43

Almost all people who have watched this new film will start with a single sentence when they write reviews, that is, "I watched it for Liv Tyler". After I watched the same views as everyone else, it is really a psychological horror film with little meaning. However, Liv Tyler's "people" gave this film many reasons not to be cast aside.
It is impossible to deny this film completely. The existence of this kind of horror film is doomed to its drawbacks and aesthetic fatigue, especially after the "Cry on Call" played a lot of time when the audience's IQ was scolded by the audience, it did not appear in some days.Such a classic secret room mystery film. After all, the horror film has developed to this year, and Feng Shui turns too fast and too fast. Various types of from pure blood and violence to retro ghosts to historical mysteries to serial perverted murders, all the way to the end of the filming. The subject matter had to be remakes of Japanese and Korean female ghost movies. Except for a few independents who continue to "ban films" that cannot be accepted by public morals, American horror movies have actually entered a strange circle that can't shine. So, a generation of fairy beauty Liv The appearance of Taylor makesIt will not fall into the category of bad movies, but at the same time it will not prevent it from becoming a bad movie.
The plot is still a big, remote house, bizarre flames, and victims of intrusions seeking death. There is no innovation. The language of the camera lens is also boring, not pale, but none of them can make people feel a little bit boring. Applauded shots, but the three perverted murderers floating around were shocked and nothing new. Every time a gimmick appeared, I was all ready, and then the murderer appeared, and people followed by scared, but scared
Insignificant ... and Liv Tyler's role is to use her superb acting skills and the image of Chu Chu's poor victim to minimize this old-fashioned narrative. Almost all of them are to see her.The audiences don’t want her to suffer, so every time she gets into trouble, the audience will follow the mood swings out of a kind of love for women, but ah, why is the beauty of Liv Tyler, who performed well in the whole film, is in the end? Suddenly the corpse screamed! Let down the love of all of us!
The typical American-style commercial horror film form is also manifested in the fact that the director seems to be deliberately piling up all classic horror film scenes. For example, the plot of the male protagonist walking out of the house to the warehouse next to the house for help is very confidently imitating the plot of "Cry Call". The plot of the hero and heroine being hit by a car is reminiscent of "Scary Cannibals." The hero and heroine are tied to a chair and stabbed one by one by three murderers. It always feels like "Texas Chainsaw Massacre", the male murderer's mask and The short-lived surveillance scene is a bit like "Screaming", and Liv Tyler's last dying struggling crawling in a nightdress is to pay tribute to Sadako's classmate; another feature is the continuation of the plot, although part of the flashback is used. But in the end, it didn’t work. Even the alarm that imitated "Horror Hole" was not explained again, and the sensational point of the protagonist's marriage proposal was so forgotten by the director, it was really speechless.
I know that no matter how bad the film is, it can't stop people's appreciation of Liv Tyler's beauty, so since it exists, let's treat thousands of such cookie-cutter American horror suspense movies with peace.

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Extended Reading

The Strangers quotes

  • James Hoyt: [to Kristen] I'm going to open the door, and I just want you to run. Okay?

    [the Man in the Mask suddenly starts to break down door with axe]

  • Mike: [on phone] Yo! Jimmy James. What's up buddy? It's Mike. Listen man, I'm outside. I got here early. Uh, just decided to come out and you know... just be here for you as soon as I possibly could, because you know how I like to wait on you hand and fucking foot...

    [object suddenly is shot through his windshield]

    Mike: [getting out of car] What the fuck?