There is a kind of panting in despair, a tragic situation of self-pity after death.
In 1959, the psychological and artistic perspectives have reached such a high level, and I have deeply realized that the gap is actually beyond catch-up, at least it can be said when we are advancing on the same road.
It's like Beckham can't change his country accent and can't speak aristocratic tone again.
There is no doubt that the theft is a point of interest as the story progresses, and these points are scattered at key points, and they actually serve as the key to bringing the viewer into Mitchell's inner world.
Details are the key difference between a master and an ordinary author. Every slight hint or tight emphasis excites the audience, never wastes, and has plenty of effect. It shows that Bresson can completely escape from the identity of the author and consider issues from the standpoint of the audience. How difficult it is to do!
actor. I have always believed that the Chinese people's restraint and lack of unrestrained traditional national characteristics hinder the development of two fields: one is performance, and the other is football. But that's just "hindering". Historical and economic reasons have led to a serious loss of self-confidence, and he has been in a state of "headless fly" in art and football, completely losing the already weak hope.
The biggest feeling of watching Bresson's works is that if you stand in front of him to refute his point of view, even if he can't make you turn against him immediately, he will give you a firm and clear reason to make you at least the existence of this second point of view. express approval.
This can not tolerate a little impetuous, mainly based on a solid creative attitude.
Creative attitude determines creativity, and our current works often fail to do this.
Finally, I also have to admit that sometimes I would be distracted to pay attention to what women are wearing. At that time, France was already very beautiful.
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