play with your big eyes

Archibald 2022-03-24 09:03:38

The first half is fearful and evasive, the second half is face-to-face, the last fateful reincarnation, I am afraid because of other people's tragedies, and the tragedies caused by other people's fears, I especially like the various scenes of hell in the first half and Li Xinjie who plays the violin It's so charming. Although the reconciliation in the second half doesn't feel anything, even if the final reincarnation still cannot be saved, some things have changed. You can appreciate life and death, see beauty and evil, then you don't need to see it anymore, everything has already been felt . "Some things don't hurt unless you can't see them."

Jerel 2022-03-18 09:01:09

Using the visual medium of film to express the concept of "unseen" with a little more design will be very impressive. The trance in the visual recovery process is particularly effective because of its approximation to life experience; more subjective The process of the lens, the clearer sight and the clearer horror scene will be more colorful if it is more delicately portrayed; and the touch of touch is also very colorful. After seeing the ghosts, I saw all kinds of life, the dazed child ghosts on the road, and the mother and son ghosts licking barbecued pork, which incorporated a lot of tenderness. In the process of watching the movie, I kept thinking of "Infernal Affairs", the kind of familiar broken editing and abusing the atmosphere to make a transition. After watching it, I realized that Peng Fa was the editing of "Infernal Affairs". It was unforgettable at first sight. Like, some cheap MV feeling. The final Thai drama is a cross-border segment for cooperation funds, which is really a bit blunt. Before the catastrophe, the ghosts of Wuyangyang came slowly, and the death had been pre-written, with a strong and powerful sense of fate; but the design of the entire script of the explosion of the gasoline car was very unconvincing and could not be realized more effectively.