Probably Liang Qichao said something like this: Ancient Chinese history is the history of emperors and generals. In fact, when we read foreign history, or Western literature with extensive Western influence, we will always encounter the erotic history of the upper-class rich.
When I was young, I read Western novels, and there was always such a silly boy or Cinderella who suddenly got a large inheritance from a relative who chose a house. "The Massacre on the Nile" came so suddenly, what he inherited was the capital accumulation of original sin. The yacht is loaded with gentry, celebrities, fallen aristocrats, doctors, lawyers, and writers after the industrialization of Western capitalist countries. This is a romantic and luxurious tour, but the serial murders turned the entire cruise ship into a "death tour". Finally, the film implicitly tells the audience that young people should read more Das Kapital, and don't rely on rich women. Coincidentally, it is not a book, and the adapted movie is not a suspenseful reasoning story. The rich lady Lynette will not die if she doesn’t die: robbing her best friend’s boyfriend, treating the maid harshly, not forgiving the mapping of writing a novel, and sneering at the old widow. People on cruise ships basically don't need to support themselves. They only write novels in the sexual field that they are most familiar with. It is probably this hobby that they have nothing to do when they are full. The half-dead old lady still coveted other people's precious necklaces, and she could steal them. The young people who read Das Kapital are even more blackened, shouting to kill every day, and fainting when they see blood. On the surface, the servants are honest and honest, but in reality, they cannot escape the greed for profit, even if they die. The sharpshooter meticulously carried out a murder, and then collapsed and committed suicide by speculation. The ancient and indifferent ruins of the Egyptian pyramids, visiting such a group of vulgar and greedy tourists, really cannot be saved by God. This tragic suspenseful tale of coincidence shows how wealthy 20th-century people at stake, often partying on a boat, formed circles. Simon and Louis at the lower level wanted to pay a price for a share of the pie. Nian's relatives who were holding Das Kapital finally took the girl off the boat happily. Only the big detective and the murder of rich women were waiting for him.
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