The following content represents personal opinion only.
At present, I have only watched episodes 1-24 of eva tv plus these two theatrical versions. It can be said that I have finished watching a line. For now, I'm not going to analyze the connotation of this drama for the time being.
Let's talk about the plot first: Samsung.
This three-star is not a score given for connotation, but for the completion of the entire story, there can only be one passing score.
Episodes 1-12.5: The plot is arguably the most boring part of evaTV but also a necessary part. It's boring because the plot is old-fashioned and conventional. In the first episode, the male protagonist inexplicably sat on the eva and was hammered by the apostle. Understandable. But eva's runaway left a big hole. This big pit was never mentioned again in the next 11 episodes as if I had amnesia, and it was not mentioned again until the general episode, and then it was to advance the main line. It can be said that the 11 episodes in the middle only exist to shape the characters.
What about creating characters? The first is the supporting roles. Most of them are well-shaped, but they are only quite satisfactory. Regarding the shaping of the protagonist, I think Shinji's psychological quality in episodes 1-8 is the same as that of a 5-year-old child. Change, this part can be said to write about the growth of Shinji, but it also laid the foundation for the plot trend after 12 episodes.
Then there is the rationality of the plot. In fact, the contradictions and conflicts of the entire eva are, in the final analysis, lack of understanding. Gendo just refused to speak properly, Rei was also dumb, and Asuka Aojiao never expressed her feelings. As a result, Shinji, who already had psychological problems, suffered even more, and only escaped again and again. But isn't there any other kind of conflict in the whole show? I really can't find it, even the conflicts between Misato and Shinji are mostly because Shinji refuses to express. (It’s no wonder that it needs to be completed. All human beings are like this. It’s not bad.) If nerv is a problem child center, but nerv is an organization related to the survival of human beings. In this organization, superiors and inferiors have fundamental Conflict of ideas. Gendo was too lazy to understand his son's psychological problems, and Shinji couldn't understand his father's seemingly grand plan. As a result, the order could not be carried out, and the actions went wrong again and again. Only the protagonist's halo can save it. (At least in the first twelve episodes, only the protagonist Halo can explain). What confuses me even more is the selection mechanism for qualified candidates. Don't you care about your personal psychological quality with this mechanism?
Episode 12.5-19
This part has become a little more interesting than the first twelve episodes as the secret behind it is revealed, and here is the only time Shinji's rebound is justifiable. When Shinji finds out that the secret behind it is not as good as the first twelve episodes have revealed, the escapism that ensues is understandable. But later on, Shinji's psychology became completely simplistic. After a while, he escaped and faced it face-to-face. It felt as if he grew up for a while and then recovered. This state did not escape until he pinched Asuka at the end of the play. But there are only these two states ahead. In other words, Shinji has never really grown up, and the growth in the previous eighth episode is all fake!
Episodes 20-22 are the most complete episodes of the whole story. Only these episodes break out of the original vision and tell the cause of all this from a larger timeline, and the ruffian has extended the length of the single episode. Time, greatly improved the degree of completion, the story is also clearly told, the hint is also hinted
23 episodes used a whole episode to pave the way for Asuka's psychological collapse. This episode can be said to be the peak of the use of ruffian camera language, but in fact, there is a feeling of being slapped in the face after seeing it. I will wait until the air.
The apostles who have been absent in episode 24 finally have room to express themselves. The first dozen or so apostles are just like the little monsters in Ultraman. More detailed description, but the degree of completion is extremely low. Kaoru had a crush on Shinji as soon as he appeared, and did Shinji have a crush on Kaoru from the beginning? Although I don't like corrupt plots, I also hope that the ruffian can make it clear that this is not a royal love story, but a milestone to become a masterpiece. In fact, it may be better to have a single theatrical version here
The most outrageous thing about air is: the collapsed Asuka that was set up for 23 minutes, will it be fine after air repeats her lines? What is the role of that 23? There is also Shinji, although the barrage is saying that he has a weak part in his heart, but the air shows only weakness. Misato and Asuka were both dying, so he still waited for someone to save them. Eva led him and was caught as soon as he got on the ground? So this person is properly a tool person? What? Is he the protagonist? Will the protagonist be such a flat psychological portrayal?
Sincerely for you: The trio who were still in a fierce shootout at the headquarters will sit in the position to monitor eva in the next second? The commander kept saying that the plan was under control? Where does the confidence come from?
Can't write, but to summarize
I don't want to judge eva from the content, because no one can fully understand it, but the logic of the ruffian's storytelling is really problematic, although the language of the camera is really good, but this will only make people feel like a magician rather than a real god
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