I love this one more than the first one. Although the first part is logically more reasonable, the second part is too beautiful, the kind of super bloody exaggerated to a little unreasonable plot is a kind of fragile, crazy, chaotic dramatic beauty. It's too basic, and it's thrilling, and it's so beautiful to be worthy of being called Danmei. After Hao was released from prison, he reunited with Jie there. The straight man in the family: They are going to kiss. There are also all kinds of bloody, hysterical death lines to save each other: Jie "one more shot and they will believe you", Hao returned to the car to save people, Ken played with the bright red food in the last smashed food of the fourth uncle. of raw meat and bright yellow oranges, the phone booth covered in blood, Jie (again) repeating every conversation to Ken. It is about to be covered with blood and dying, and it is about to be held in his arms and slowly become cold and breathless. Back then, Hong Kong star's face was so beautiful, it was about to fill the screen with a close-up of Fat Brother's laugh, Di Lung's tearful brother, handsome and unrestrained, Shi Tian, innocent and dazed. Zeng Jiang's uncle Jian didn't appear much, but he was still unruly. Fancy tossing oranges and A Ken ran to the window and chatted with him during the fierce battle. These two episodes are just like the cute episodes that appeared in the doujin 2 creation club, which belong to the official cuteness. Not to mention the classic scene of the last three people sitting on the sofa, and Hao still has a samurai sword in his hand - is this the only cold weapon in the whole process to pay tribute to the Shaw Brothers film? Oh Dui Long Si is a frail, helpless, innocent, and innocent little white flower. It's so fragile and crazily criticized. Shi Tian is so pretty! The poor and beautiful father was forced to take the road of revenge, and he was protected by everyone all the way for fear that he would make a mistake. I looked at him with star eyes. Straight man at home: You really like small eyes. . .
All the logic of the plot is for the service of the chug, whether you have money or not, you have to order an unlimited bullet set, and you have to chug. Even though the plot is so bloody that it only serves the purpose of a gunfight, the characters outlined are concise, stern and charming, and have an indescribable beauty. Ken's lines are especially well written. It was the first time I saw Ajie: "Why are you looking at me?" The silhouette came out, better than the rich rendering of his first appearance in the cosmopolitan restaurant. In the final battle after the funeral, Ken in a black suit put on the old windbreaker of Pony Ma, and it was enough to pull the wind. Hanging grenades in each bullet hole really had to kneel for John Woo, how could he do this? And the pictures, I was really hungry for every picture. It’s obviously a shootout film, but I’m just looking at a beautifully composed illustration. My mind is full of fanarts. If I draw this scene so well, how would I make the composition and color scheme, although the original composition and color scheme are simple and charming enough. NYC's small broken corridors are also beautiful, and the warehouse fights are also beautiful. In 1987, the apocalyptic wasteland style was outlined. Not to mention the eternal sea view mansion: white walls, white curtains, white chandeliers, oily green palm plants in water, black suits, black sunglasses, black guns, red blood, police lights and firelights, and the one in the mouth of Fager Match head. Regardless of whether you are right or wrong, if you don't add a little gray to the color of your clothes, you don't deserve to appear in the picture.
Straight man at home: After so many days, is the bloodstain left by Ajie still so red? Me: So red against a white wall looks good.
Finally, let's not say how classic the theme song is. I really like a piece of electronic music with a sense of oppression and drums. The first one appeared when Xiao Ma walked through the red tunnel alone to go to the money printing factory to grab the mold. This is the BGM of Long Si and Gao Ren Ren talking on the phone. The soundtrack of 1987 is so futuristic, so amazing.
In the end, the painting old man who suddenly appeared in this episode, in the ending, saw that his paintings in a room were very lonely. Old man, old man, do you want to reflect on yourself? I don't think anyone painted by you has any good results. Is your pen a bit unlucky?
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