Touching From A Distance

Scotty 2022-03-22 09:02:08

The realism of the black and white picture The man with smoky makeup has the talent of rock and roll The struggle of mortals is the take-off and shattering of dreams The temptation and the torture of imperfect flesh in the face of love The

post -punk voice is very muffled and true
To put it mildly, I prefer the version sung by the male lead.
Every time I listen to it, I am reminded of Ian's swaying arms.
It seems that the swaying is a whole inner turmoil and turmoil. The

distant touch's prediction and understanding of the future evokes hallucinations.
In fact, you can really be attracted by every lazy tone or expression of
his. It's more than the drowsy scaffold on the surface and the black granular tissue on the cross-section.

Since you understand that it goes deep into the bone marrow, you can completely get rid of the orbit. At least there are options. right

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Extended Reading
  • Enos 2022-03-21 09:02:20

    The black and white quality photography is great, matched by the director's "control" over the narrative of the entire film. It is restrained and insipid, and goes straight to the end in a natural manner, and only releases the key in a touch of detail. If you don't pay attention or don't understand it, it's easy to be overwhelmed by the straightforward narrative, and the result is a slightly boring love triangle. This is a detailed film about a child who died at the age of 23 and who has lost control of himself after rushing into the adult world. As a special constitution, his epilepsy is not only a symbol of a certain personality discomfort, but also an important factor in his choice of self-determination. PS "Only idiots get epilepsy", see Dostoevsky's novel "Idiot".

  • Thora 2022-01-01 08:02:22

    It’s another five-star movie that only listens to the OST. The opening is a David Bowie-like teenage male protagonist. The monologue is so beautiful. The director is very delicate, but the late stage is really lazy. Although we know that it is a black and white era, the whole film is black and white_ (:з」∠)_

Control quotes

  • John Cooper Clarke: The colour scheme is fuckin' brown Everywhere in chicken town, The fuckin' pubs are fuckin' dull The fuckin' clubs are fuckin' full of fuckin' girls and fuckin' guys with fuckin' murder in their eyes, A fuckin' bloke gets fuckin' stabbed waitin' for a fuckin' cab, You fuckin' stay at fuckin' home, The fuckin' neighbours fuckin' moan, Keep the fuckin' racket down This is fuckin' chicken town The fuckin' pies are fuckin' old, The fuckin' chips are fuckin' cold, The fuckin' beer is fuckin' flat, The fuckin' flats have fuckin' rats, The fuckin' clocks are fuckin' wrong The fuckin' days are fuckin' long, It fuckin' gets you fuckin' down Evidently chicken town

  • Annik Honore: Ian...

    Ian Curtis: Hmm?

    Annik Honore: I'm a little scared.

    Ian Curtis: Scared of what?

    Annik Honore: Scared of falling in love with you.