Whether watching a movie or a novel, when I see some bad decisions or plots about to happen, I want to remind the protagonist not to make such a choice or to leave the danger soon. Because outsiders can see the 'panorama', the authorities can't always see the situation. Moreover, even if it happens in our own life, even if there is an outsider to tell us this situation (like the younger brother in the play), we will find various reasons to refute, rationalize and forgive like the heroine. Because, in addition to the pain we have in this relationship, something deep inside of us is fulfilled, and that has a magical attraction.
As a sister and a lawyer, it can be seen that the heroine is also a very wild person. The way she approached the male protagonist, as well as the various absurd behaviors of the two when they were in love, the reconciliation of sexual temptation after quarreling and breaking up, and the ability to have sex with her ex-husband after divorce. The powerful attraction between the two, the male protagonist is the one who can make her wild eruption.
Her life in a nursing home after a knee injury runs through the show, and there's a lot of people in it, but she ends up befriending a group of young people, and they've been together for what could be considered a frenzy of passion. A young man asked her: "Why are you playing with us? We are different ages. From different social backgrounds. You are not as smart as us... What ulterior motives do you have?"
"I don't need a reason, I like you guys, you guys are funny," she said.
The same goes for the female lead who likes the male lead. There is no need for any reason. He is the kind of person she would like. Even if he PUA her scum on her, she will get her heart over and over again because of him. Satisfied and returned to him, he will always be her king. It's just the cage of marriage that makes all this out of place.
She also knew that she couldn't turn back, and she didn't know what to do, so she subconsciously chose to hurt herself, to interrupt all this, and not to face it.
At the beginning of the film, the psychotherapist reads a passage: "The knee means the ability to let go of the hand, it means giving up, or even stepping back, since this is a joint that can only bend backwards, the pain of the knee means that a person It's hard to accept an event in life. The process of healing goes hand in hand with the psychological process."
As the film comes to an end, she is discharged from the hospital wearing the watch and showing up at the school's parent-teacher conference. From the teacher's tone, it can be felt that it should be rare for two parents to appear together. He turned a blind eye to her and ignored her. He should have fallen out completely. Although he noticed the watch, he couldn't let go of his resentment and ignored her. And she took the initiative to say goodbye, and those smiles, as her knees healed, she also let go of her hands at the same time, and achieved herself.
As an authority, it is really difficult to see the whole picture. This version tells all this from the perspective of the female protagonist. It may be said from the perspective of the male protagonist, which is another story. But what we can do is learn to observe our state, our thoughts, and learn to face our inner desires. Inseparable from certain people and certain things, what do you want to grasp, what do you want to satisfy, and are there other options?
I think watching a movie is to see life, see the exit, and see different choices.
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