Although I didn't pay attention to the director, but after watching a little bit, I felt that it was an enhanced version of the Taiji flag flying (a familiar war scene, Zhang Dongjian died again) + Taiping Wheel (star lineup of China, Japan and South Korea) + Chariot of fire (World War II + racing champion prisoner of war) The theme, the run on the beaches of Normandy, is a tribute).
Although I have long known that North Koreans who have had similar experiences in history have also seen the tragic fate of North Korean soldiers in the Japanese army, but in battle scenes, the male protagonists have enough aura of immortality. Is this an anti-Japanese, anti-Soviet, German, anti-American drama? Hey, it's still the best treatment for German prisoners.
However, I still give it four stars. If you calm down, you can see the various contradictions that are ubiquitous in the film: the contradiction between the Japanese and the Koreans; after being captured by the Soviet army, they are treated as the Japanese army, and the contradiction with the Soviets; the Japanese Conflicts among the Koreans. And the accompanying identity changes, who are you fighting for? After all, it is produced in South Korea. As a nation that is always beaten and invaded, it should be very concerned about this. However, from another angle, and because of the status of a weak country, if you only regard it as a war movie, then the pattern is not too big.
In fact, the part of the labor camp should be the best part of the whole film, which fully demonstrates human nature.
As for the role of the tax evader, there is not much to say. The muxiaoguang that appears in the opening sequence is enough to explain everything. Is shooting a plane with a rifle an input of domestic drama culture? Compared with the X-Men who died after the ultimate move, there are quite a lot of lines, not bad.
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