Mediocre sequel. Scoring is all about technique and the opening section. After I came out, I saw that the ratings were quite high, and I fell into the confusion of "Am I deviating from the public taste again this time". This film has always made me feel a strong sense of incongruity. After I came down, I thought about where this strange feeling came from, and when I was eating, I suddenly understood: What the producer did is actually an American community story. A typical middle-class American family suddenly encountered a blue-collar working-class family one day, and came to defect with their friend orphaned children. The other party is rude but upright, and a middle-class family with a lot of love and attention wants to make a good friend orphan and their pampered daughter as a pair, but the orphan likes a girl from a worker's family. The age orientation is probably high school students, and the focus of the distress in love lies in "no privacy". Then they encountered the kidnappers. The middle-class family and the working family worked together to resolve the crisis, and then interspersed with some "daddy's difficulties and shortcomings" and so on. Then we all lived happily together. Such a plot line with obvious American-style common community conflicts as the keynote and life habit conflicts as the main line, with any common American drama character setting, can stew the same story of changing the soup but not the medicine. In addition to the details that can reflect a little bit of the background setting of the original work, there is no problem with changing to a modern background. By the way, the high school student protagonist of this film has frequent love brain plots, and it is not a child. The kid next to me in the row seemed to be asleep. Disappointed.
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