Fear stems from the unknown, so when making a good horror film, you should try to shape the unknown as well as possible. All fears are born out of the unknown. The sound effect is very good, and it's a surprise. A good horror movie is when the audience thinks that there will be ghosts coming out to be scary, and when the audience thinks that there will be no ghosts in the plot, it will suddenly appear. This kind of anti-type anti-routine is very suitable for horror movies. There are a lot of unreasonable camera sequences, such as meeting Ryan in the house, Ryan has disappeared for so long, drag the girl to the cellar and still know how to hold the camera? Obviously unreasonable. And in the last scene in the house, what was the man doing when the woman was running in the underground passage, and how did the man know "Don't look straight?" after the man and the woman met. The first half of the whole film is well shaped, and in the second half, I start to pull my hips. What is the house in the end, who is Blair the witch, what happened to her sister, and what happened to the hero and heroine in the end, it ended without any explanation. A pseudo-documentary is also a story, and the story should have a complete context. That pair of men and women who met on the dark Internet just led the way and burped? Not very reasonable. In the play, it is said that the characters must be exhausted, so this couple took a road and it seems that there is no other use for it? In addition, I am so scared that I am still shooting things with a camera. I have to admire "Kunchiyan" and directly set it as a head-mounted gopro, which is reasonable and does not delay the shooting. The most important point is that there is no ending. What happened in the end came to an abrupt end.
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