Kusturica has created yet another absurd and exhilarating universe, full of obscure political metaphors. Ships with various flags come and go on a large river. The mob boss watched Casablanca's epilogue over and over again, saying over and over that it was the beginning of a great friendship. The big goose is a recurring image throughout the film, and even in the director's other films. The grandfather finally said to the grandson who fled and married, "Come on, there is no sun here." Probably only if you know enough about the national history and current situation of the former southern region and know enough about the director's environment and background can you fully understand it. However, even without the deep connotation, this is still a sufficiently colorful and poetic film. In particular, the plot developed under the impetus of enthusiastic music and dance, even if it is absurd, it has its rationality. In addition, the title of the movie, the black cat and the white cat, are written differently. I don't understand Serbian, so I searched for the French with the same participle (although the French translation title Chat noir, chat blanc does not distinguish the part of speech, but there are still some materials to explain it) I found that the black cat is female and the white cat is male. There is also a shot in the movie that shows male and female white cats and black cats.
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