I wrote more

Liam 2022-03-22 09:02:28

1.10 Complement with soul-shattering artwork that was never expected. The name simmon has been demonic to me from now on. On that night, the real journey began, the characters and the plot gradually became blurred and out of expectation, the incomprehensible but destined plot, like a black hole flowing slowly in the starry night, swallowing everything. The raped body and soul, the most depraved evil and the most holy good, when the climax comes, almost think that the body and the soul will perish at the same time. Always thinking that nadiya will stab him to death with a knife, push him down a river, push him to a stone and knock him to death, and rocco will punch him to death at home, thinking about the truth, mother smashes him with a vase, say you are not My son, I never thought that Rito would call the police and arrest him. I always wanted to rewrite the plot, but I was afraid that a change would ruin the movie. In the second half, I wondered whether recco had a crush on Simmon since he was a child, and until the end, Nadiya was thinking about how to save him when he was killed. There is really a sense of mutual torture between the most perverted black and the most perverted white, but that kind of morbid Injury again and again makes the heart of knocking CP impotence. It's just a pity that the important woman nadiya was so powerless in that era. It is difficult to understand and difficult to understand, but it also shows the importance of the family to the director to the Italians. And the sad hometown lament at the end, what a desperate yearning and love, can let the director finally conclude that leaving home is the source of everything, or maybe it is such a desperate yearning and love that there will be a final lament.

View more about Rocco and His Brothers reviews

Extended Reading
  • Cleveland 2022-03-26 09:01:10

    A child like Rocco would be troubled by anyone with him. The three brothers are so cruel.

  • Kolby 2022-04-21 09:03:01

    Despite the restrained lens language and the mastery of panorama throughout, Visconti seems to have substituted himself into Rocco to a certain extent: unswervingly following God's will, but ultimately resenting how small he is. From fraternity to rationality, I do not know whether it is progress or degeneration. So even at the cusp of neorealism, Visconti's core consciousness is old school.

Rocco and His Brothers quotes

  • Rocco Parondi: This is for you, but get out of Milan for a while.

    [hands Simone 100,000 lira]

    Rocco Parondi: You have no job to lose anyway. Besides, any place is the same to you. But stay out of this house!

    Simone Parondi: Did the "Court of Brothers" decide that?

  • Ivo: Is your brother still pining for the motorized whore? Or does he aim higher now?