I like this kind of story that gets more and more profound.
Black and white is the tone of the older brother David. He likes peace and quiet. Color is the tone of Jennifer. Adventure love is all perfect, and it feels very light at the beginning.
However, the more you look at it, the more it tastes. The black and white town is like a bubble paradise. The people here follow the steps, ignoring desires and responsibilities. "Life" is just life, like a peaceful landscape, beauty is beautiful. Yes, but by no means the magnificent waves from the waterfall.
In life, what is interesting is desire.
So when Jennifer arrived, the town gradually became more colorful, knowing more things, and learning a better way of life. The firefighters knew that they had other responsibilities besides saving the cat, and the books were no longer blank. Filming, the wife and husband are no longer role-playing.
On the whole, it is more like a clash of ages. Combining with American history makes sense. A standardized life makes people feel at ease, but the unknown life makes people even more likely to have the idea of going on.
The dystopian approach makes people sober, and life is more about human sex than a romantic candlelight dinner.
The subsequent confrontation with the mayor was also faintly mixed with some political implications, and in the end, the color still filled the whole town, didn't it?
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