"Put a bunch of people old enough in one place and it won't take long for someone to die, Graham died of a heart attack for years, so he knew before he came to this country that he couldn't go back, he wanted to die in India , just don't want us to know. He fulfilled his promise to take me to Udaipur, and Manoch hoped to give him a Hindu funeral by the lake, in the place they had been together, not a holy place, but maybe For them, the fire burned long enough to remind mourners of their deaths, the fire was lit at dawn, and by sunset there was nothing left but ashes. Are we grieving for our friends? We know very little about his life, or we are just mourning what we have lost, have we gone far enough to cry?" This monologue is a hundred years of loneliness, unfortunately I didn't watch it sooner, the funeral atmosphere optimal. Actor performance ➕ one star.
The classic drama mode, the text-first paradigm, and the English-style daily writing of the following Riba people, tells about the various losses and embarrassment of the high-latitude country in the years, the hard old bones are covered by the cold winter, perfunctory, rejected, transferred, and stranded. Maggie described India as hot and chaotic: "like the waves", and as they gradually got used to the scorching sun in the sky, the dust in the air, the mud on the ground and the "boom", everything slipped into the right track with a relaxed attitude, and the sudden Death increases the thickness and level of the film. The old people are forced to cut open their growth rings, count the loss and love in the long river of time, and face up to and examine their few remaining lives. The tropical monsoon finally blew to the British Isles, and the racial class issues, hero growth stories, and exotic wonders contained in "Grand Hotel Foreign Affairs" have a real foothold. Even if you already know the theme and plot of this film, you will still love them. Laugh and cry.
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