Maybe it's just a certain life state of the characters, there is no need for a reason for the appearance and disappearance of supporting roles, and no explanation is needed for the occurrence of events.
The overall camera language is a bit messy, and the emotional expression is sometimes subtle and sometimes broken
Favorite Scene 1: The heroine did not choose to endure because of the discrimination and provocation of the waiter, but smashed the dishes with her hands and pointed at the waiter for two or three minutes, which was really enjoyable;
Favorite Act 2: The heroine reads the book sent by the hero, and avoids the emotions pouring out after seven or eight years - the movie directly rained heavily in the room - this expression is really refreshing and hearty, the heroine later Tears welled up when I saw the brick painted pink outside the house;
Favorite Act 3: At the end, the male protagonist recalls the tender eyes when he first saw the female protagonist as "autumn" - at that time, you were the clear you, I was the pure me, we just met, and love was already there on the road...
Spouse - the heroine's appearance, hairstyle, clothing - this is the first time in a movie that I have seen the protagonist's face so short, hands so short, so rough, hairstyle so old, so weird - Canadians have such different aesthetics .
The theme of the movie is not prominent, maybe I don't understand the background, and it is played at 1.5 times.
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