second one is Marlon Brando. Like a person's appetite, first showed the back of the hat and white suit, then turned around, took off his hat, and a chubby old man showed it to the screen. It doesn't matter, people will be old, at least this face is still three-point familiar and three-point friendly.
At last it was the turn of the junior Edward Norton, this time he pretended to be mentally retarded again. The appearance is gentle, the heart is strong, the brain is so good, he looks clever, or hides a trace of cunning, and, in many movies, he always wants to be the person in control of the situation. Old Man Brando said to De Niro: "Do you think I'll find an idiot to work with you? You have to admit, that kid has two brushes."
Unfortunately, he has good acting skills and looks good, with a gentle mid-bass. Why can't it become popular all the time? Sigh, a hero with a more positive image, a simpler personality, and a more passionate character is easier to be accepted by the audience.
In this film, Norton's character is a little pale and vicious. He is in contrast with De Niro's young and old. For example, De Niro insists on seeking stability, Norton likes to take risks. De Niro was spotted by the hostess in a single act at the beginning. He restrained the woman from behind and warned her: "Don't look back at me, I won't hurt you." Later, Norton encountered a similar situation, but the other party He turned his head, threatened him, and locked himself in the small black room. Different personalities have different results, and in the end the young people are put together. In any case, it seems to me that the role of Norton is a bit "failed for failure", but it does not matter. Okay, very polite.
There is also a black female character (Angela Bassett) who is not beautiful (personal aesthetics) in the men's play, and there are not many plays. In the scene where she and De Niro had a conversation between the two sides of the camera at home, separated by a partition wall, the screen looked quite regular and it was easy to make people feel good. At the same time, they succinctly explained De Niro’s situation: I don’t want to wash my hands. Qian Yunyun, the last vote is so unbelievable, the big thief is always like this.
Throughout the whole film, the story about "stealing" is very straightforward, and there are almost no other side plots—compared with the "Stealing Firewire" of the same subject matter, this is even more obvious. At the beginning, De Niro was opening the safe, and then Brando came out to arrange a new task; at the end, as soon as the theft was completed, ok, the movie would end immediately, with a black screen and subtitles. Very straightforward.
Of course, there are actually many regrets. For example, I always feel that some plots are like buying passwords, etc. The design is quite casual; a few Norton actions seem deliberate; for example, in the climax part of De Niro, several security guards were dealing with the blasting for more than ten minutes. Reluctant to come down and check it all the time (it would be more reasonable to check if there is a problem with the monitoring, then the two thieves will be out of play?)...Forget it, ignore it.
http://sandgrit.blog.163.com/blog/static/41920702200773011393988/
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