Although Sang Ge’s works include "Fake Dad", "Starting from the Heart", and "Remote Control for Life", the handsome face with deep wrinkles in a smile is not guaranteed by quality, such as "Don't mess with Zohan", "Jack and Jill" and other bad movies have hit countless years. Generally speaking, Sang Ge is still suitable to take the line of family affection and warmth.
There are three love affair in the so-called movie life, both the youthful first love exploration, the sweet and greasy love indulgence, and the dry middle-aged emotional loss. No matter how you divide it, you will generally not be able to break out of the story classification of the script. Hou Mai's "Four Seasons on Earth" and Richard Linklater's "Sunrise and Sunset" trilogy are all leaders who know this well.
This film is the third collaboration between Sang Ge and Drew Sister, and I have to say that the two opponents' record is indeed outstanding. In front of the powerful Sister Drew, Sang Ge has always converged a lot. Although there are still Sang's jokes implanted in advertisements and sexual hints and thorns, it is still a little refreshing.
It is worth noting that the film and the first two works of "Wedding Singer" and "50 First Loves" are just a complete interpretation of the three loves in life. And the third stage, that is, the film needs to elaborate and convey more complex and realistic emotions, just like "Love Before Midnight", a compromise and a sense of helplessness.
In summary, I personally think that this article is the pinnacle of Sang Ge within 5 years, far superior to the "Growing Up" series.
The above is only a personal opinion, and friends are welcome to criticize and discuss.
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