She wants to be her, and she wants to be herself.

Marilou 2022-03-22 09:02:46

Here is my understanding, because of the deviation of understanding, but I don't want to get involved in the first feeling, so I first write down the pure first feeling.

The first beating ends after the fig leaf is lifted, and it's all told in flashback.

Wally's marriage was shrouded in visible illusions that I didn't understand before, and I didn't understand a husband's anxiety about his wife not coming home. In fact, I can't feel it right now. But it does not appear to be the practice of the few.

The physical conflict tore up the peace that had been decorated with refusal to communicate. And pecuniary interests are the weapon against the whitewash of refusal to communicate.

Wally says his name is based on this great love story, but Wally is obsessed with it and is always looking for the truth behind the great stories passed down from generation to generation.

Edward abdicated to marry the beloved woman, Walls. When he became the protagonist of the greatest love of the century, Walls was burdened with love. At that time it was love, now it is a childlike entanglement, all the differences are in reality.

Edward to Walls

The sky-high price to buy Walls' gloves is to imitate, she is imitating, she is looking forward to it, but back to reality, the gloves she wears when she enters the elevator are like another person. And the mask that was hidden somewhere when getting out of the elevator. The gloves finally returned to Walls were one of the pairs, not the ones in the elevator.

She wants to be her, and she wants to be herself.

Do you think that slap woke Wally?

At the end of the movie, the auction house's brother called Wally to show his miss. The conversation at that time was already the answer to the question.

Reality is not a fairy tale.

Wally realizes that love alone is not enough, and love without reality will only become the real Walls, so there is a beginning, and then there is an end.

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Extended Reading
  • Albertha 2022-03-26 09:01:12

    From the beginning to the end of this film, slow motion, close-up, blur, rhythm, tone, music, costumes, and scenery are all slowly telling "Elegance". The double-line narrative slightly conceals the emptiness of the plot from its structure. The modern line is particularly bland, and the Romance of another century has a bit of connotation. For a screenshot nerd, Madonna's film has too much to offer.

  • Enrico 2022-03-18 09:01:07

    Madonna made a super long music video for Abel Korzeniowski's soundtrack! The soundtrack, costumes, and editing are the protagonists of the movie, and the narrative has been reduced to a clown. The soundtrack is too much like a [single man], which highlights Miss Mai’s weakness in narrative and photography. Most of the time, the plot is free of emotions. Two parallel narrative lines and four females with similar fate in love have an entry point for narrative. There is no narrative strength. ★★

W.E. quotes

  • Wallis Simpson: Attractive, my dear, is a polite way of saying a woman's made the most of what she's got.

  • Wally Winthrop: People seem to only focus on what he gave up for her. But what about what she gave up?