It is not discussing what is love, what is love, etc., but it is showing that people revolve around "love", and under the nature of "love", it also combines ideology, discourse, power, selfishness and self-love. Waiting for human nature itself to feel the driving force of thinking, such a complex human state and action. (Actually, he likes his younger brother at all, so he wants to possess and destroy everything that the younger brother he left has had. He loves his mother, but he makes him an excuse for not marrying and not looking for a girlfriend when he is 30 years old. He abuses him, insults him to insult him The departure of his younger brother, the fact that he is not gay with his actions, but dancing with him, watching him naked, and getting close to him with amazing violence at night, Dolan is trying to create this feeling - but maybe I care more about our equality part, feel hypocritical about his personal overflowing part, just like everyone can think of a touching simple story in their dreams, but they can't move others, no matter how their own emotions can move themselves, this is the limitation of consciousness , you don't know what other people's lives are like. Touching people must be rational, and the ideal is to draw oneself into a respect equal to the audience - but it is rough, and there is a close ambiguity in the violence, and the male protagonist leaves again. At that time, he couldn't stand the emptiness in his heart that couldn't be concealed -- that kind of thing that had been accumulated over 30 years because it was difficult to be honest. Part of the hatred of corn may be true - that may be the reason why his brother left, every time he has to face the honesty in his heart after the person he likes leaves, he just can't stand it. Contradictory, but reasonable, can understand those The omitted heart can follow the logical deduction between his actions, and every action he takes is full of information, he captures the action well, and conveys everything around the action very thoroughly and in place. The audience can get it immediately, and the deduction is more convenient. Even if it is not comprehensive, everyone's deduction, brain circuit, connection, script, and text are different, but at least they have the premise and blueprint to make the deduction, at least the one that makes the deduction. The things connected with each other are very clear and strong, not ambiguous, and you don’t need to speculate hard. People are very fast. As long as the information arrives, the intensity is enough, and the deduction ability is very strong. In essence, it is to stimulate The premise of a person's deductive ability is that the amount of information in the unit of action is sufficiently thorough, strong and clear. I don't need to rack my brains to guess, think, but see it at first glance. I understood at that moment. This is a movie. The sense of information is too strong, and I feel it, and it is automatically deduced quickly.)
The split-faced man should not appear by itself, that is the director who has become the story itself, not the audience of the story as equals between the director and the audience. As well as many of Dolan's own shots taken together, people may think that he is also deeply narcissistic, which is shown in the film. And the state of his older brother that he showed. The story is just a tool for him to express himself, so why use the boring and cumbersome tool of the story? Isn't it bad to use formalistic colors? But he did use that music and stuff.
The acting is very good, just want him to play a contradiction, don't care about his appearance at all, look into the distance, but his car was taken away. This paradoxical look, even unimportant information is cared for and designed. The best performance is in the tavern. The face of the person who described dancing with his brother was torn. This kind of documentary can only achieve the sense of realism. When the actors perform, there is no need for a documentary. Here, it is too real, just talking about The story is captivating, and the true charm of the record is played out. He abandoned his younger brother and vented the joy of a happy private life outside on the male lead, but the male lead fell in love with him, but he fell in love with the one his brother loved. I will add some private goods, American coats, but it does not affect the independent thing of the story, a better balance, the way the director and the story get along. But not necessarily private goods.
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