The damned personal heroism of the Americans ruined a poignant love story that could have earned four stars, and it's not an exaggeration to give it a Jack Sue.
All about is just love.
The "mortal" Charlie staged a very exciting pursuit battle in a foreign country, profoundly interpreting the definition of head iron, and finally survived under the watchful eyes of the woman he loved deeply.
Gabi, who was forced to brainwash with "us" by Charlie step by step, was forced to resign by Nigel's arrogance, and Gabi's love transferred and turned his back.
On the contrary, the sickly underworld boss who was full of "fucking" as soon as he appeared on the stage and aggressively led the gangsters to chase and block, finally gave up everything and made love. "You shot him for love." fell into a heart-shaped pool of blood.
Nigel's immortality cannot sublimate the greatness of this love, but Charlie's immortality cannot solve the grievances in the hearts of the people.
Also remember, I don’t quite understand the setting of Charlie’s ability to communicate with people who are dying (welcome to discuss), I thought it was a fantasy film at the beginning, and in the middle I thought it was a literary film that criticized reality (the wine-colored lights in Romania and the absurd greed of youth hostels). happy). Last look, hey, romance (I could make a new movie with just the bloodthirsty killer and the cello girl).
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