The lines are few, the tone is blurred, and the camera stops, leaving me with a lot of imagination. But I don't want to watch it a second time at all, even if it's to take a few pictures that I am impressed by, or to look back at a few impressive scenes.
For example, Mam used three or so eggs for photographing tiles, and several palm-sized sample tiles, stacked on a spliced wooden board. An egg rolls, and you think it's going to slide off the plank, but it stops in the gap between the two planks. But just now, take a photo of everything on the board, I think this will be the most satisfying photo for the client - the tile is absolutely smooth without any bumps and cracks.
For another example, returning home to visit a sick mother. The camera pauses for a few seconds. The picture is of a few long leaves of green plants standing in front of the reflective photo frame. The leaves are almost flush with the photo frame, and together they occupy three-quarters of the frame, while the upper quarter is light— - The leaves are blocking the frame, the sun is reflecting the frame, and I can't see anything on the photo. I thought it was interesting, like the sensitive, lonely Mam asked the director to do it this way.
Mam's heart can be reflected from his TV - he couldn't help watching the small TV for a while after the lingering; later, his mother became seriously ill, and it played "Mirror" in which Tarkovsky walked with his mother on the lake side scene.
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