Unsurpassed political propaganda

Alanis 2022-03-22 09:02:57


The artistry of a great documentary, whose political intent and propaganda purpose always fails to look at it, is undeniable that this woman who was a Hitler loyalist was a director who should be called a genius. Before and after the Sixth Party Congress, when Hitler took the position of Führer, in 1933, during the brewing period of World War II.
In the speech and eloquence class in his freshman year, the teacher blurted out "Hitler is a talent!" When he mentioned Hitler's speech ability, he quickly corrected and said, "He is sinful, so he can't use talent, but he is really a genius. "All of us here burst into laughter. During that time, the classmates who took his class were all interested in Hitler. Today I finally saw the first-hand information. Although it is exaggerated due to the director's subjective intention, the fragments of Hitler's speech are true and unmistakable. The sonorous tone, concise and powerful gestures, and torch-like eyes were too provocative. If you don't know the history of the Nazis, you will be really bewitched by him, thinking that what he said is quite reasonable. He took inspiration from Simmel's theory of linguistic signs, and captured the powerful speeches that people have indiscernible sane point of emphasis on repetition to great effect. (Because of this, Simmel was criticized by the academic circles, who classified him as an accomplice, and he was anti-Marxist. In fact, can this be blamed on him? And who does not agree with the theory and who provokes who?)
There will be no more movies about Movies from the Nazi recess period can surpass "Triumph of the Will", who will give you a helicopter to shoot Hitler's military parade? And so close to him, looking up at him. This is a valuable historical material of that era.
From a film perspective alone, this is also a very good work (combined with the characteristics of the times and technical limitations). The footage captured in the film is full of admiration and admiration for Hitler, and the shot aimed at Hitler also uses an elevation angle without exception, highlighting the loftiness and holiness of the "leader". The smiles, excitement, fanaticism, happiness of the people, eagle badges and swastika flags, uniform corps, unified gestures, etc. montages all serve the theme of the film to say "Long Live Germany, Long Live Hitler!" . Those grand scenes can't be seen by a female director at all, and their grandeur requires a very strong heart to shoot. This is always decided that this is an immortal work, but its political intentions are too dazzling, and the kind of worship makes people linger in fear. The Second World War was too cruel, people could not forgive Hitler's madness, and it was also impossible to accept such a film that even the camera sang Hitler's praises.
When watching this film, I often think of the situation in our country, and then reflect on it. Our cult of personality is even worse; Hitler's political party cultivated a group of pioneer youth leagues and youth leagues, and the Communist Party has youth pioneers and Communist Youth Leagues, there is no difference; education conveys the spirit of sacrifice for the country, at that time in our country (It still exists now) to encourage solving difficulties for the country, and the "comity spirit" of first everyone and then the small family is similar.

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Extended Reading
  • Burley 2022-03-28 09:01:13

    She has just the right grasp of the rhythm and movement of the film, making the film a hearty work in visual expression. The connection and transformation between melody, rhythm, and movement can be described as seamless, and the rhythm, gao and intoxication generated by the ever-changing pictures become the keynote of her films. Riefenstahl is also adept at using still images, making them come to a screeching halt as a stop-stop.

  • Zack 2022-04-24 07:01:25

    9⃣️ A very provocative, lively and ambitious image, a country that is crazy and unbelievable. Magnificent yet delicate, multi-angle, all-round motion shots, bizarre and vivid composition, the screen switching is so smooth and natural. High-spirited heads of state, fanatical women, youth and children who trust with all their hearts. The film "breaks the complete composition principle that has always been regarded as the golden rule, and creatively uses a variety of expression techniques. Liffin Starr grasps the film's rhythm and movement just right, making the film's melody, rhythm, and movement between the The articulation and transformation have reached a seamless level, becoming a work that is full of visual performance." The fireworks at night create a dream-like atmosphere (which makes people suddenly return to "The Deer Hunter" and "Apocalypse Now" In that kind of magical realm) light and shadow move on the face... It's fascinating but unfortunately....

The Triumph of the Will quotes

  • Fritz Reinhardt: Wherever we look, building work is going on. Everywhere values are being improved and new values created. And everywhere there has been industrious activity in the last year, and this activity will continue in the future.

    [Original: Wohin wir blicken, überall wird gebaut, überall werden Werte verbessert und Werte neu geschaffen. Überall herrscht seit einem Jahr reges Leben und wird auch in Zukunft reges Leben herrschen]

  • Julius Streicher: A people that does not protect its racial purity will perish!