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The lens inserted from "Mirror" and "fantastic" is finally restored to the image of "Stalker" itself: it is not the ambiguity encountered by the bushes blown by the wind, it is not the doubt of "Will you marry him", or even no more" "Mother" and "wife" woman, the writer played by Anatoly Solonitsyn leaned against the table in the tavern. He was the first person to come here to enter the "zone", and then came in It was the "stalker" and the professor who met on the road. They also picked up wine or coffee from the table in the tavern. The three of them were already there, and then they would embark on an "adventurous" journey.
This is the beginning of "going in". As a guide, "Stalker" Chingga, where is he going to take the writer and professor with him? Before the start of the story, I quoted an interview with Nobel Prize winner Wallace, "Is this a meteorite falling or a visitor from the depths of the universe? But no matter what, we have witnessed the miracle in the miracle here, and we immediately send The army arrived there, but they didn’t come back. We pulled a cordon around. Maybe this is a wise approach, but we are still suspicious..." Wallace said when he accepted the RAT news agency. In fact, it has been pointed out. The place where the stalkers took them is "heavy". This is a place where a "meteorite fell" twenty years ago. This is a place that was razed to the ground. This is a place where few people can get in. Of course, here. It is also full of death and mystery-there are so-called "zones" there, and there are so-called "rooms" in the area. In such a mysterious and dangerous place, the three people want to sneak in. What is the purpose of their "entering"?
The writer said in the tavern that his creation in the past few years has encountered a bottleneck, "I have no inspiration." He has to find inspiration without inspiration. The mysterious place is where he finds inspiration? Before arriving in the tavern, the professor was with a woman. He told the woman: "Don't believe in flying saucers, there is no Bermuda, the world is just an equilateral triangle ABC-living in the Middle Ages will be very interesting, because everyone has a god in the house. There is no difference between God and triangle." The professor removed the mysticism in life, and even the so-called god is just an exact existence. Where there are no mysteries and miracles, everything is just life itself. The writer and the professor express their opinions before entering that place. The inspiration in the mind of the writer and the scientific success that the professor wants are actually the potential motivation for their entry. What Chinga Ge said to them is: "It can satisfy people's subconsciousness. The deepest desires and desires within."
Satisfy will and desires, so go ahead. The logic here is: writers and professors have encountered "deficiencies" in reality, so what they risk looking for is a sense of satisfaction, but this satisfaction is really about inspiration and Scientific truths like equilateral triangles? Leaving the tavern, the three people drove a jeep through the alley. This was their preparation for entering. This is a completely silent world, there is no one in the alley at all, the wet world, dirty and run-down, this is a metaphor of reality, and all this silence is only a superficial phenomenon, and then the police appeared, and they hid again and again. After being patrolled by the police, they were found in the end. In the rain of bullets, the three people found a rail car. After filling up the gas, the rail car left the silence, run-down, dirty and guarded by the police along the track. Reality.
This is the first hurdle they enter. Taverns, streets, police, bullets, and even rail cars filled with gas are all a portrayal of reality, or a kind of this shore, living in it, their greatest enemy is This shore itself, this shore presents the shortcomings encountered by writers and professors: there is no inspiration, no truth, only the police who treat them as enemies. And when they leave reality and leave the other shore on the railcar, the world presents a completely different side: when they get off the railcar, everything there is like an existence outside the world, villages, trees, mountains, and even wolfhounds that come from time to time. Called, and the color at this time changed from black and white to color—Andrei Tarkovsky created a completely different atmosphere here. The metaphor here is actually obvious: three people are sitting on a rail car and moving forward. At the time, Tarkovsky’s lens kept following them, from the close-up of the face to the focus of the back of the head, as if his lens became the fourth person in the car. The 4-minute long lens created a kind of presence. feel. The camera is there and the colors appear, and they "enter" into the world where their wishes can be realized.
But this may be an illusion, "We're home, it's too quiet here." Stalker Chinga Ge said, "Getting home" does not mean safety, but a return to the nature of danger. He talked about his teacher. "Porcupine" once brought others here, but in the end he "collapsed" and ended his life by hanging himself. This is a hint that this colorful place, this undisturbed world, is a truly dangerous place, even more dangerous than this shore, but to enter it is to satisfy wishes and desires, in a dangerous world. What are the taboos for satisfying desires? As a guide, the stalker is undoubtedly familiar with everything here. He informed the writer and professor of the rules here: "This is your room. Don't touch anything indiscriminately. You must respect the area."
To respect the district is to respect the potential rules of the district, that is, to respect the dangerous grace of the district. The stalker uses a nut belt to explore the way, which is a kind of respect. But where does the danger come from in this deserted place? There is no doubt that writers and teachers have doubts. First of all, the writer, he took care of himself and walked straight to a church over there. The stalker warned him, and the writer discovered that the silk was filled with horror at this time. He turned and wanted Returning, the stalker warned him: "This is a trap system. Changes will lead to the emergence of new systems. Every action of humans will lead to changes. Everything depends on us. No one can return the same way." Lu returned to the stalker afterwards. But the professor lost his bag in the middle, he wanted to look back, the stalker also warned him, and even told him "the room can give you everything", but after he and the writer turned around and entered a waterfall, he couldn't find the professor. After they came out of the waterfall, they found that the professor was ahead. The writer was puzzled by this "transcendence". In fact, the professor said that he had never walked, that is, he stayed in place. Mark, and the stalker said that this mark is the mark made by the porcupine.
It can be said that this journey is a temptation for the danger itself, and also a practice of the rules of the district. Because of the existence of the stalker and the respect of the district, the danger did not appear. But their goal is to enter the "room", which is their second wave of action on the other side. In the course of this action, the stalker had conflicts with the writer and professor, and the writer and the professor began to attack each other. They entered a dry underground passage. In the first walk of the writer, he entered a doorway; the area was full of water, swimming through the water, and it was a new entrance; after entering, there was a desert; it seemed that there was still a desert. The birds flew; the three people gathered together, and then forward, it was a dirty pond, and a shower of rain came down; at last they stood by a wall, and the stalker told them that this is the entrance to the room. Just enter the room. Can satisfy their wishes, but in their conversations and disputes, they did not enter this room-the stalker is the guide, he was not to enter the room, and the writer and professor with purpose did not enter the room in the end , What happened in this contradiction of arriving without entering? Why is the ultimate goal of the zone and room deconstructed by them?
The stalker is carrying two people, one is a writer and the other is a professor. The stalker has the name "Chinga" by them, but the writer and the professor have never appeared their own names from beginning to end. In the state of being anonymous, They represent only identity, or they are a kind of "kind" existence: writers represent literature, art, and soul-related construction, and professors represent science, experiment, and the unremitting search for truth. They want to enter the zone and The room is also for discovering inspiration and for obtaining truth. But the existence of this kind, in the process of gradually approaching the room, was slowly deconstructed, and even became a utilitarian purpose. The writer went forward on his own, and the professor left the team for the lost bag. These are all malformations of their individual desires; while resting by the water, Tarkovsky’s lens is aimed at what remains under the water. They are statues of the Virgin, labor pains, and vessels. In the running water, they are actually some kind of loss of civilization. In the dirty pond, there are even things like skeletons. This is the proof of the passing of life. And when they first entered, they found many skeletons on the abandoned military vehicle; when leading to the dry small waterway, the writer took out his gun, and the stalker warned him not to impulsive, but the gun was later by the stalker. Secretly thrown into the water, the hostility represented by the gun is a symbol of selfish desire.
Writers and professors, creators of humanities and arts, seekers of scientific truth, and stalkers as guides, the three people often clash in the process of entering. The writer sat there and sighed: "What am I writing a book for? I think I am a genius, which means that my book can make people better, but I found myself transformed by them." This is a kind of introspection, but right The denial of self has turned into an attack on others. He believes that the science represented by the professor is only "prosthetic limbs and crutches". It is not science and technology to open the way for everyone, but to take the lead. "Experiments, facts, and then truth, and I am An experimental product.” Therefore, turning to the literary and artistic creation that he represents, “only art is selfless. Although it has little connection with reality, it can enter the soul and resonate. Everything has the meaning of existence.” So he looked down on “ They","They are all evil spirits, they know cannibalization, why can't they live forever like art?" And when he was next to the puddle, the professor took out his own explosive, hoping to do this experiment after entering the room," I hope to change the world." At this time, he dialed the phone next to him, and the phone could be dialed out. He told the person in the laboratory on No. 9: "I found something, I am now one step away from the room." But he said: "You are no longer a scientist, go and do your nasty things." When a professor is no longer a professor, he fell into despair. He even thinks that the area is a part of nature, and the room is even just "Lab 4"—— A desire to return led him to establish a laboratory here.
The writer’s so-called search for inspiration is only for praise, and the professor’s search for the truth is only for experimental success. Therefore, stalkers think that they are going to improve themselves, and they should enter the room if they are frustrated, but the room is only to satisfy their subconscious. Desire, as the stalker said, is to gain kindness, freedom and self-esteem, "If you are desperate, this is where you should come." But writers and professors have obviously turned "kind" desires into individual selfish desires. , Turning the area and the room into their own territory, and even they began to attack the stalker as a guide, "You are only intoxicated by your own power." The stalker who walked to the door of the room to complete the task said: "Stalkers can't The porcupine entered the room with selfishness, and the porcupine finally hanged himself because he entered with selfishness."
The faith, soul, justice, and life that they kept talking about became the desire, power, selfishness, and success that stood in front of the room and exposed them, so in the end of never entering the room or being unable to enter the room, the world was silent, only The rain pouring from the ceiling made a sound in the puddle and glowed light on the surface of the water, and the sound and light became the last image of sneaking. This is like a fable. When they escape from reality and enter the other side of the world, they face danger and mystery. However, after arriving in the room with great pains, they stand outside the door forever, sneaking and canceling the purpose. As the stalker said: "Dreams about something, but got something else." As the existence of the class, what writers and professors "get" is that they exalt their selfish desires, and this gain magnifies this even more. The meaninglessness of walking, but this meaninglessness becomes another meaning in the "stalker".
In fact, in the trio of writers, professors, and stalkers, the stalker is the real protagonist. As a guide, he dominates the trajectory and direction of the sneak, and he is not a kind, but a completely individual existence: He is not to enter the zone, not to find a room, nor to satisfy his desires, all his purpose is to sneak himself. At first, the stalker woke up, and in that silent room, he slept with his wife and daughter, but when he looked at them, his wife turned her back to him, the stalker got up to wash, and his wife asked him to go Where, when she learns that the stalker is going to do "his old business", she wants to stop him, because once the action is discovered, the stalker will face the disaster of prison, and the stalker asked his wife: "Where is the world not a prison? The stalker once led others into the district, and was once imprisoned for this reason. When they finally returned to the tavern, their wife and daughter came to pick him up. When they left, the stalker said, "No one really needs the district. No one really wants a room, and I will never bring anyone in again."
The stalker sees the world as a big prison. Sneaking is an adventure to go to jail, so he said: "The world is controlled by steel-like laws and regulations. They have never been destroyed." But as a stealth plan In the end, failure in the meaninglessness of the writer and professor is a kind of freedom for the stalker. The big black dog in the district has been following the stalker, and his wife said to him: "Maybe you can bring I'll go in." The wife is not going to enter the room, but into his world. She said that her mother did not agree with them because he was a "prisoner". Now the wife says, "I don't regret marrying you because it is Our destiny." For the Stalker family, destiny is not a compromise, not a sigh, but a name for ourselves: the world is full of prison cells, humans want to satisfy their desires everywhere, and the law imprisons the body like steel, and there is no salvation at all. The other side, but there is also a miracle on this side: "It seems that there is no leg" daughter Martes sitting at the table. Her eyes are full of light like a saint. The three cups on the table slide forward under her gaze. She let them grow legs and let them walk. At that moment, she was the person who really entered the room, and the subconscious wish was fulfilled in this free world.
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