"Stalker" and Old Tower's Life Journey Talking about Tarkovsky's "Stalker" 1 "...who came up with this torture? It's love. / Love is an unfamiliar name / It's weaving Behind the hands of the shirt of flame, / the flame makes people intolerable / the shirt can be unraveled by an extraordinary man. / We are just alive, just lamenting / Either let this fire or let the fire consume our lives..." Second, if you will touch the icon with those filthy hands to show your devotion, or open your mouth to talk about which Picasso painting is from the "Blue Period". Then you might as well buy a big bag of popcorn and a big bucket of Coke and walk into the crowded movie theater, slanting the soft and comfortable seats, and carefully pulling on the short skirt that tightly wraps the hips, which has prevented the surprise attack by the desire of the afterglow. Please be fortunate that you don't need to be disturbed by the inner devil, nor will you fight against the worldview you have painstakingly established for the sake of contradictory reveries. With your flicking hair, raising the corners of your dancing skirt, life is not painful, it is more like a fresh and witty skit. The puppet being held up by the earth, have you ever considered breaking away from the lead, have you ever doubted your own flying joke? For the old pagoda, it is more a pious pilgrimage, like watching a starry night by Van Gogh, without studying the author’s inner contradictions and complicated creative background, nor pursuing and admiring the exquisite brushwork and composition, let alone for the sake of He was yearning for the increasingly high prices. I longed to get a miracle like a salted fish, even if I did not hesitate to give an ear to it. So how should I appreciate such paintings? With your own heart, stick to this ancient oil paint and texture, and feel its breathing, sometimes warm, sometimes cold, sometimes desperate, sometimes full of desire. This simple communication is actually its whispered murmur. Such a sincere and humble way is more of a minimum respect for art. It is like someone else writes a beautiful poem with hot emotions, but you use complicated Metrics and boring formulas explain why it is "good poetry". Such blasphemy and pedantic, I am afraid that there will never be a pure heart. Having said that, I still want to be able to better analyze the concept and stylized lens language of the old tower film, so that I can sort it out like a dog's hair. I have also done a lot of work to interpret such a work. One is to understand the author’s in-depth interpretation of this work; the other is to try to invade the author’s infringement of the work in the plot. This doubts the limitations of the author's director and the broadness of the work's conception; the fourth is to reflect on oneself for others to dream about. three "I believe that it is only possible to experience a spiritual crisis to be cured. A spiritual crisis is an effort to discover oneself and regain faith. This is the destiny assigned to every person who aims at the spiritual level. Just imagine, When the soul desires harmony and life is full of turmoil, how can there be no spiritual crisis?" Old Tower said. Let’s start with the composition of the scene. First, there are three scenes in the tavern. The opening is deserted and mottled. In the film, the three meet to start the journey (the writer is ridiculing himself and arguing with the professor). At the position before departure, the stalker's wife brought her daughter here to take him home. Followed by two scenes in the stalker’s residence, the opening (water glasses, the sound of train tracks, a family of three, moving back and forth) couples argue, the little girl sits on the bed. At the end of the movie (the stalker is crying, the wife is comforting, and the background is a wall full of books, perhaps symbolizing knowledge) The little girl, three symbolic cups, once again sounded the sound of train tracks. Then there are three scenes above the railroad tracks, one of which is a stalker walking across the railroad, and the writer is bragging about it with a woman. The second is a slightly sci-fi escape game, wandering in abandoned warehouses and railroad tracks, it is even more a test of courage. The third is the most classic and mighty long-shot close-up. (The professor's eyes are more reluctant to his wife, and farewell to the world, foreshadowing the future; the writer is asleep, his heart is actually very tired, and his eyes are open thoughtful; while in the stalker's In your eyes, you can't see anything, he is more like a professional guide). The more independent is the scene in the "area" just arrived, the green grass, the wind is blowing slightly, professors and writers are more full of expectations, although each has a purpose, and the stalker is like a homecoming person. Here is the dignity and mission that you do not have in reality. Some of the last scenes are all driven by the plot, with conflicts and conflicts, and the three have varying degrees of change (or sensitivity to the environment) and psychological monologues. Probably all in the water, in the tunnels, the rooms of the dunes, and the small house in the center composition, the old tower is running. The so-called "triity of time, place, and action" can only be said that the old tower's photography on the water, the flow of light and shadow, and the center composition. , The gloomy partial lighting preference, these are indispensable symbols in all his films. It's more like the "Homesickness" made later, giving up simple and direct shortcuts, and seeking to go back and forth again and again, reincarnation again and again, "firming the depth and potential of our souls." The last two paragraphs are quite redundant. One is a monologue by his wife facing the camera. This technique is very common among a large group of people in the New Wave, such as Godard's use in "Exhausted". And the three cups of the little girl is almost the same as the ending of the current Hollywood movie "Inception". Although the old tower is in front, it is also a conventional metaphor of form greater than connotation. After writing the above paragraph, I feel sleepy. Just like the script outline, this is a basic script framework of the film Lao Ta, and the more important details, the performance of the actors, and the meaning of the dialogue are the soul of the narrative of the film. Because it is too complicated, I will just summarize it by head. The first is the heroine. At first, she was overwhelmed with excitement, "Watch, where did you go... promised to do a normal job... another ten years... weird person" and finally, "You are back, and you have brought it back. ......Can you take me to the area with you; followed by the stalker"...For me, everywhere is a prison. ...We are here, and we will be at home in the end. Here you can see yourself more clearly...Life is full of pitfalls, hope for a while, despair for a while, it's up to us to complete the journey...the hard things won't be triumphant again. ...I can't approach here with unknown motives. Here, I am happy, free, and dignified... If it doesn't work for you, what will happen to you. Then there is a chattering writer, "Equilateral triangle, three angles are equal... My conscience needs vegetarianism to win the whole world. And my subconscious yearning for a piece of juicy meat. Then I want to do it. What is good? I don’t care what I want, I only care about myself... I am only interested in myself... There is no truth here, I have lost my conscience, I only have courage, they are all emotionally flawed, no one needs me, I It's just an incarnation of nothingness... They will also devour others. I should look back on my life... "The silent professor actually hides many spiritual crises and flaws. Just a phone call, I am in Factory No. 4, which is enough to show the professor's inner suffering and backlash. There are also several conflicts and conflicts between the three and their inner monologues. I will try to be as unclear as possible here. Only three monologues of the stalker's family facing the camera are sorted out, so that people can study the character's psychology more deeply. And not to over-interpret, sometimes boring records can keep the clues and context of the old tower works better. Because it is too complicated, I will just summarize it by head. The first is the heroine. At first, she was overwhelmed with excitement, "Watch, where did you go... promised to do a normal job... another ten years... weird person" and finally, "You are back, and you have brought it back. ......Can you take me to the area with you; followed by the stalker"...For me, everywhere is a prison. ...We are here, and we will be at home in the end. Here you can see yourself more clearly...Life is full of pitfalls, hope for a while, despair for a while, it's up to us to complete the journey...the hard things won't be triumphant again. ...I can't approach here with unknown motives. Here, I am happy, free, and dignified... If it doesn't work for you, what will happen to you. Then there is a chattering writer, "Equilateral triangle, three angles are equal... My conscience needs vegetarianism to win the whole world. And my subconscious yearning for a piece of juicy meat. Then I want to do it. What is good? I don’t care what I want, I only care about myself... I am only interested in myself... There is no truth here, I have lost my conscience, I only have courage, they are all emotionally flawed, no one needs me, I It's just an incarnation of nothingness... They will also devour others. I should look back on my life... "The silent professor actually hides many spiritual crises and flaws. Just a phone call, I am in Factory No. 4, which is enough to show the professor's inner suffering and backlash. There are also several conflicts and conflicts between the three and their inner monologues. I will try to be as unclear as possible here. Only three monologues of the stalker's family facing the camera are sorted out, so that people can study the character's psychology more deeply. And not to over-interpret, sometimes boring records can keep the clues and context of the old tower works better. Because it is too complicated, I will just summarize it by head. The first is the heroine. At first, she was overwhelmed with excitement, "Watch, where did you go... promised to do a normal job... another ten years... weird person" and finally, "You are back, and you have brought it back. ......Can you take me to the area with you; followed by the stalker"...For me, everywhere is a prison. ...We are here, and we will be at home in the end. Here you can see yourself more clearly...Life is full of pitfalls, hope for a while, despair for a while, it's up to us to complete the journey...the hard things won't be triumphant again. ...I can't approach here with unknown motives. Here, I am happy, free, and dignified... If it doesn't work for you, what will happen to you. Then there is a chattering writer, "Equilateral triangle, three angles are equal... My conscience needs vegetarianism to win the whole world. And my subconscious yearning for a piece of juicy meat. Then I want to do it. What is good? I don’t care what I want, I only care about myself... I am only interested in myself... There is no truth here, I have lost my conscience, I only have courage, they are all emotionally flawed, no one needs me, I It's just an incarnation of nothingness... They will also devour others. I should look back on my life... "The silent professor actually hides many spiritual crises and flaws. Just a phone call, I am in Factory No. 4, which is enough to show the professor's inner suffering and backlash. There are also several conflicts and conflicts between the three and their inner monologues. I will try to be as unclear as possible here. Only three monologues of the stalker's family facing the camera are sorted out, so that people can study the character's psychology more deeply. And not to over-interpret, sometimes boring records can keep the clues and context of the old tower works better. Stalker Monologue (Poetry is not translatable, it can only be expressed literally) All summer is gone, there is no epitaph left. Now the sun is still very relaxed, but it’s not enough. All the truth will emerge. The surface of the water is like those five-petal fluffy balls quietly gathered in my palm, but just that is not enough. The final ending is very good. The whole world is full of lights, hungry and festive. The light is shining, but just that is not enough. Makes me happy. I’m really lucky. But just that’s not enough. The branches don’t wither and the wings don’t break. The sky is wiped clean and bright like glass, but it’s not enough. Lao Ta’s father whispers in his heart, and many of Lao Ta’s films, including "Sacrifice" and "Mirror", have a large number of poetry monologues, which are a spiritual pillar of the old tower.) The Stalker’s Wife Monologue. You know that my mother is against him. You may have noticed that he does not belong to this world. All our neighbors are laughing at him. He is so clumsy and pitiful. My mother often says to me,'He is a stalker, and he is destined to be a prisoner forever. You don’t know what a stalker’s child is like' I didn’t even argue with him. I knew it was what I asked for. He was destined to be a prisoner forever. Believe that being with him will be happy, but I also know that there are many sad but painful and happy lives. Maybe I think all of this will pass. He approached me and said, come with me. I said, I will never regret it, never us There are a lot of pain, a lot of fear, and a lot of shame, but I never regret it and I don’t envy others. This is our destiny, our life is like this. If we have not had so much misfortune, we will not become Better, and worse, because in that case, there is no happiness and no hope. A sign of love, but now I can’t stand this kind of love) The narration guided by the heart of a little girl I like your eyes, my dear friends. They are so passionate and bright. The glimpse you suddenly send is like lightning in heaven. It absorbs everything from beginning to end, but there are more things that I admire when your eyes go down. When I watched it burst out with the flames of love. A melancholy and gloomy desire flicked across your eyelashes. Metaphorical self-adoration of art, but it can indeed lead to many metaphors, such as the destiny that the mother said, maybe this is the old tower, a continuation of will) There is nothing more than such a perfect composition and picture full of metaphors. It is intoxicating and imaginative. Such a long shot is full of silent beauty. If you accidentally miss a glance, you will lose the space to admire, not to mention the poetic shots of the old tower if you use too much montage And editing conversion, how dazzling you, at that time you can still keep your dozing nature cold to artistic beauty, such an assumption is impossible, because the old tower's movies are like Picasso's paintings. Sometimes you can’t detoxify, and sometimes you just blindly follow and worship, but can you really understand the author? Can you experience something from each shot? If these are not necessary, then you can still Keep a pious heart and immerse yourself in such a poem written with your heart, read every sweet or bitter poem, read every sincere and unique book, if you are not sincere enough, not attentive enough, you It is never possible to experience even one-thousandth of the core. In order to re-appreciate such a movie, it took several days to create that kind of magnetic field, until I completely hollowed out myself. At the beginning of every journey, I will forget who I am, and experience it all as a person with simple purpose and shallow thinking, although I have repeatedly failed to fulfill my wishes. I talked about the scenes in the old tower movie, the actors’ performances, the dialogue in the script, and the poetic narration. Finally, I mentioned a little bit, that is, the old tower’s movie music has always been seldom used, and there are also colors. Very stingy. There are naturally signs of the new wave and the unique understanding of the old tower. What cannot be mentioned is that the use of the train sound in this movie is very avant-garde. The sound and picture are not synchronized. The train sound here is more of a cryptic language. What it is, viewers have their own different interpretations. The end of the film "Ode to Joy" appeared twice in Laota’s movie, once when the cup was dropped, and once when the candle was lit in "Homesickness". At the time, Lao Ta denied the cryptic words. You just think the melody is very suitable. It can be seen that Lao Ta has a lot of affection for many things around him, from the small sound to the house in his hometown, and the poems of his father. The characteristics of mother, all appear in Laota's movies constantly, this can only be said to be caused by a kind of complex. Such an artistic film, as Lao Ta said, "Only human love-incredible-can prove that the dull claim that "the world has no hope" is really fallacy. The world is our common, A tangible asset, although we don’t know how to love anymore." Four. Our lives are full of misfortunes. There will be no utopia at all, but we are fortunate enough to be born as human beings, the so-called primates of all things. In a short lifetime, we will experience many mournings and moments of joy, being abandoned or spurned by them, but there is something that will stay with time, so some people are uneasy in society or the quiet corrosion of life. , Always stand up and reflect on yourself, or hope to complete a redemption through other roads. Perhaps only in this way can we truly approach the depth of the soul. Through the experience of the road, the stalker regards others as his own mirror and completes it. Self-salvation, and through such a journey of infinitely magnifying the kidnapping of the patient’s heart, the writer and professor approached the self in the struggle of contradictions and belief nihility. I don’t know why the camera is so peaceful, such conflicts and rebirths again and again. , It's like being sweated profusely. I also thought about being a saint or a terrorist. On the one hand, I completely take others as my own responsibility and be a complete martyr, but in the midst of jealousy and restlessness, I lost the opportunity to preserve that unfathomable demeanor. Terrorists always want to do it, but they are always reluctant to do it. There are always those sunny things beckoning to me. The so-called love of the so-called art and the so-called career, but I often stay away from them, in such natural or natural swings. , I have only been a mediocre person. When I don’t have money, I worry about money. I am always cautious when encountering social interactions. When others break my own principles, I immediately face each other, and sometimes I want to know each other. A beautiful woman talks about life and the like, but she always returns in defeat. I can maintain a rational mind for the various declines in this society, but in the face of love, I immediately lose my soul. People, it’s also so difficult to be a mediocre person. Whether you are an intellectual or a worker or peasant, whether you are a man or a woman, a child, an old man, you can never escape your responsibility to this society, and more to yourself. To be a mediocre person, we have to think about ourselves three times a day. I always like to confess in words, but real life is still messy, and I walk on the road of Kerouac or Ussilis again and again. Although this road may be a symbol or a metaphor, I am fulfilling my self. Salvation and personal experience, on the one hand, will face deeper or more difficult traps. People like me will never have rest. Resting means stopping burning oneself and stopping transcending past illusions. Think about it. Years ago, I was a little guinea mouse who didn't ask anything and didn't understand, and I felt that the ups and downs were worthwhile. There is a house in your place and in your heart. If you want to walk over, you may face thorny ground or various desires, but you must tell yourself that you are in that house and your heart Just there, through trials and firmness, can you get closer to yourself and your heart. Maybe we will never know what is there, the source of desire, or some kind of particle. Sometimes the world is really simple. Through scattered mirror images and trivial words, the world can be stripped naked, but what can be done? The world is also complicated. You have to pay longer and more for any journey. Heavy hardships and setbacks. For example, if you want to master an instrument, but you want to reach the top, it is so difficult, and it even takes a lifetime. On the contrary, you only need to master it, which is a bit easy to come by, but you will never be able to or what music calls it. The true meaning of the truth, but what the fuck is the truth, is it the harmony of the music or the tiring composition of the soul, the arguer always has his own set of rhetoric. Some say that the truth is written with the whole soul of a lifetime, and some say that contentment is always happy, the best thing is not happiness, why not be like a fool all day, and at this point, I am a bit like The old tower always reads some novels by Kafka or Toshi, always plays the deep harp to talk about poetry, always seeks an art of perfectionism, silence and lyric poetry coexist together, and the inner sublimation is always I have found myself in the pain of self-masochism in self-exile time and time again, so I can pay more attention to such a dignified philosophy. The world always repeats and presents colorful ways, and we can only choose one or a few of them to stick to the end, otherwise it will lose its vitality like floating. Every time of my self-exile, I seek a kind of dignity, where I will not drift away on the road of idealism. Recently, I accidentally remembered the goal I set for myself last time when I left the mountain, so I worked non-stop day and night to conceive the script. For related things, contact professional friends and equipment everywhere. If you can take advantage of the current advantages and themes and pay more attention to the details of certain aspects of education and humanity, let's make an experimental attempt. In real life I am a silent person, but every time I speak, it means that things have started to act. five I don't know much about religion, but I have heard that God is the "Trinity." In "Stalker", the stalker is also three or more in one. He can be a writer, he can teach, or a day composed of the stalker and his wife and daughter, or even the boss in the tavern. They are not allowed. As the old tower said: “The basic human nature cannot be dissolved or divided. It exists as a crystal in each of our hearts. It is precious. Although their journey seems to be a complete failure on the surface, in fact, every Each character gets some kind of invaluable treasure: confidence. He began to realize what is the most important thing in his heart, and the most important thing lives in everyone’s heart.” Of course, I also started to realize what the most important thing is. . Of course, I am also confident that there will be such a nightmare baptism every time. I would like to use this superficial and one-sided interpretation of this great movie.
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