The 9.0/10 bow tie is the best symbol to tangle their throats. Its absurdity allows its audacity, its bluntness requires its hilarity.
Antonio Pesci, Ph.D./Homicide Bureau Chief,
The use of sound effects at the beginning and end is dramatic. The structure of the police station is like a flock of majestic roosters.
The Homicide Bureau's speeches are like reciting the scriptures, whose purpose is not to please the public but to persuade people and themselves.
The film's shot scheduling is very smooth and worth learning. The use of tinted glass is interesting, but I haven't come up with any special meaning for now. This film is a political film and a period film wrapped in a murder case. There are a lot of close-ups of faces in the film, which are extremely real and extremely playful. The real thing is that the camera shows the facial expressions to the audience at a glance, and the joke is that the camera is so close that the face is slightly distorted.
Why did he take off his suit and put it back on when the "radical youth" was interrogated?
The ending is as funny as the soundtrack. Bow ties drive people crazy after all. The curtain of darkness is the field in our eyes, who can see it thoroughly?
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