The gray line of grass snake, information, details, and thorns of literature unrelated to the main line, flowing at a uniform speed, generating a vague sense of scene, and finally reaching a moment of poetry.
How to capture?
A space, the hotel where the three people stayed for the first time, the camera was separated from the main body, and the old woman was behind the kitchen;
A piece of prose, the male protagonist sees a street sign, which is the hometown of the nurse for decades, intercepted from the perspective, desolate, and a blind spot forgotten by the world;
The reality of life is not a conceptual theme, and is then illustrated with a plot.
It can be rational, the class antagonism under the 3P journey collapses, and youth falls, but these are just rationality, grasp, and ideology, and there is no "real life". The author's own experience and understanding put the cart before the horse.
How to unify?
The unity of poetry is not the unity of drama and plot.
The method of handling materials, the image is rich, dirty, saliva secretion, and semen flying, to obtain a sense of youthful and chaotic presence, but the camera always recedes slowly, from close-up to large panoramic/long-range, gradually pulling away, becoming an objective and equal record. The omniscience of the external monologue, the image is both in the present and in the past, becoming a moment of a kind of "document".
In the end, a passion that retreats, retreats, passes away, gazes, can be fixed and extended.
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