The more I watch, the more I believe that British dramas are my destiny! The difference between British dramas and American dramas: British dramas are all people, not gods. All the chicken feathers on the ground, but also struggling to be active and desperate, otherwise how to live? Cahterine, who lives at a very low level, has become a police station chief (sarge), and has several younger brothers, but the house is not very good, and there are debts, not to mention marriage and divorce, and have to raise the son of the dead daughter (raped), Worrying about his sister's drug addiction relapse (Lady's Maid at Condon Manor). His own son does not speak to himself. The villain Tommy naturally interprets the completely anti-social personality analyzed by the perverted Li Meijin, so that you have to think about staying away from scumbags and cherishing life after reading it. Life is inherently impermanent and bitter. If you dare to let an aunt around 50 be the protagonist, you can do it in a British drama. If you catch up to around 22, you will feel gloomy and suffocated, and you will not dare to look down. Happy Valley is not happy at all. Catherine, who had her spleen removed in the middle of the performance, even though she was a mess, put on a police uniform and was brave, upright, well-trained, and professional. Tommy and Kevin (the male protagonist of Secret No. 9 is bald) depend on others when they are in trouble. Catherine's positive image is infinitely charming. There are quite a lot of big acquaintances in it, all of them are great actors, and they deduce the appearance of life. This is British drama!
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