If you live forever in your own world

Noelia 2022-03-22 09:01:48

Although the title of the film already suggests it, at the beginning I admired Blanche's "poeticness" somewhat, and sneered at Stanley's rough, "patriarchal supremacy" (though by the end of it). But with the development of the plot, I feel more and more that Blanche is a dream girl.

If the chasm between Blanche and Stanley is spiritual, the rift between Blanche and Stella is a real choice. Stella chooses reality in order to survive, while Blanche has been indulging in dreams: poetic, noble, refined. Originally, these were no problem, but the actual situation is that "material can't keep up with spirit", and most people give in or even compromise in the face of reality. Excessive pursuit in reality is too ethereal and will only confuse reality. Despite Blanche's emphasis on her "spiritual richness," in my opinion, she's left with only a "gorgeous shell." She needs to live under the fence, to be attached to a decent man who is equally brilliant, and if there is no man, only Can fill the empty soul with flirt fishing. In the end, Blanche was brought down, and he was willing to join hands with the doctor to ride in the car. God, I was speechless for a while... (One thing to say, that part just finished making out with young man and then the next Mickey scene, too awesome...) Maybe after the poet, she is not looking for love, but just looking for someone to rely on, as long as the other party is a "gentleman". But Blanche's fall was equally tragic.

Stanley, who is completely different from Blanche, will definitely explode with Blanche (in two aspects...) The first person to drive Blanche crazy, after losing his temper, crying, crying and looking for his wife, Patriarchy, scumbag. He's savage, and he's irritated that Blanche shakes his position as head of the family. While maintaining his so-called "dignity", he still needs to rely on women. When Blanche first saw the couple quarrel and reconcile, his jaw was on the ground, and the explanation was "they love each other". There are still many such relationships today, and I don't know what they think in reality, but I feel uncomfortable about it, even if the reason is "they love each other". In the end, Stella said, "It will never go down again," and I'm afraid it won't last for three days.

The fall of Blanche is also the collapse of the beauty Vivien Leigh. Vivien Leigh was sent to the hospital after filming, and then she couldn't help thinking: Vivien Leigh really injected her emotion into Blanche. The more superb acting we saw of her, the more Vivien Leigh's heart was burned. Alas, beauties are always short-lived, only Gou Yigou can "advance for a long time".

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Extended Reading
  • Ibrahim 2021-12-08 08:01:38

    Looking at the top five film reviews below, none of them mentioned that the South's refusal to reform after the Civil War led to social poverty, American geopolitics, etc. It was all about love and confusion. Soul, fragility, and gorgeous. So I always feel that from the perspective of history and politics/teacher speaks movies much better than Chinese or art department, because what really touches people is not technology but humanity. What is the difference between asking the audience to empathize with the difficult technology and leaving the original to the end?

  • Lelia 2021-12-08 08:01:38

    The iron cavalry of the times drives by mercilessly, and the untimely people can only steal their lives; Vivien Leigh portrays this neurotic, self-deceptive but pitiful Blanche into the woods three-pointers, and the brando in the play is not let down by the wind, wild and straightforward. The existence of Stanley is the opposite of Blanche; a textbook of black and white photography of night scenes.

A Streetcar Named Desire quotes

  • Stanley: How about a few more details on that subject... Let's cop a gander at the bill of sale... What do you mean? She didn't show you no papers, no deed of sale or nothin' like that?... Well then, what was it then? Given away to charity?... Oh I don't care if she hears me. Now let's see the papers... Now listen. Did you ever hear of the Napoleonic code, Stella?... Now just let me enlighten you on a point or two... Now we got here in the state of Louisiana what's known as the Napoleonic code. You see, now according to that, what belongs to the wife belongs to the husband also, and vice versa... It looks to me like you've been swindled baby. And when you get swindled under Napoleonic code, I get swindled too and I don't like to get swindled... Where's the money if the place was sold?

  • Stanley: Take a look at yourself here in a worn-out Mardi Gras outfit, rented for 50 cents from some rag-picker. And with a crazy crown on. Now what kind of a queen do you think you are? Do you know that I've been on to you from the start, and not once did you pull the wool over this boy's eyes? You come in here and you sprinkle the place with powder and you spray perfume and you stick a paper lantern over the light bulb - and, lo and behold, the place has turned to Egypt and you are the Queen of the Nile, sitting on your throne, swilling down my liquor. And do you know what I say? Ha ha! Do you hear me? Ha ha ha!