In fact, the taste of [under six feet] changed in the next two seasons, and I couldn't find the black humor that made people smile in the first season. The original bizarre deaths and sudden advertisements have all disappeared, and even the characters appearing at the beginning of each time seem to exist only in one form, and except for their dead fathers, they will almost never see the dead and the living. Dialogue.
The only constant is probably the sharp turn of the plot every time. Lisa is dead, Nate is dead, but these derailments I thought were not as good as Nate's last moments surprised me. He seemed to suddenly understand something when he was forty years old, whether it was love or life, in short, I always felt that his whole person was quiet after Lisa's death, and it could even be said to be darkened. As if there is no concern. So he should be tired of Branda, no matter how he has loved her, no matter how much time and energy they have spent in this love, but he is too tired after all, so once he finds a harbour where he can escape, he does not hesitate If you lean in, you can even leave your pregnant wife irresponsibly. So death is not a punishment at this time, but a kind of relief.
I almost don't want to talk about Ruth and Clair, because I use fast forward for most of their shots. The story suddenly became procrastinated when it happened to them, especially Ruth. I don't understand that an elderly American housewife turned out to be as trivial and capricious as all the housewives I remember, and it may suddenly break out anytime, anywhere. Sometimes I can't say whether I hate or pity her when I watch her impose responsibilities on everyone in the family. Probably after a certain age, people will be like children on the one hand, but have a great desire for control on the other. Clair is getting more and more beautiful, but then more and more tacky. Her tackiness lies in her willingness to think of herself as an artist, but the so-called artistic cells in her body have gone from bad to worse. So in the end, her resolute departure from home made me regain some of the initial goodwill for her, and the story went away in her singing on the road. I saw the wedding of David and Keith, and saw the death of everyone in this family one by one.
Although the process of David and Keith was tortuous and repeated several times, at least they were still the most stable pair. Especially looking at their last wedding, it was a relief. In white dresses and their two children behind them, everyone was sitting there smiling, watching them exchange rings in front of the priest, the camera was hazy, and everyone was happy. But then Keith's death was a bit dark humorous, and David's death can even be said to be full of beauty. Just watching the whole family of children and grandchildren running on the grass, suddenly Keith's young face appeared in front of him, and then he fell to his death. In a person's heart, no matter how many people come in and out, but there is one, there is always only one, always there, and it can still appear in your thoughts when you need it most, even at the last moment, that is the greatest completion. That is the most beautiful love.
Clair looked at all the pictures on the wall before he died. There was a perfect man's face. It was her last boyfriend, who later became her husband. The person who has been drifting has finally settled down, which is also her ultimate love. The repeated contrast between old age and Fenghua makes people feel especially emotional.
[Below six feet] All the themes got unparalleled sublimation only in this ending. Survival, death, at the moment of peace, suddenly there is no difference.
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