This is a story that is happening in the same time and space as me. I cannot shamelessly use their misfortunes to convince myself to cherish the rights that I have as a woman to be content in the present moment. What we should think about is that there are still women in this world who are still trapped in such a quagmire. How can the rough treatment of women in an environment of ignorance and savagery shape a distorted person? Probably, the sister in the film can be used as an example. She is like the black mole on her face, seemingly tiny but densely pierced. The scene where she appeared was basically at home, which conformed to the rules for girls in that environment, and a woman could not go out without an adult man to accompany her. No matter what kind of difficulties you have, under the strict and cold regulations, there are always corners that the sun can't shine. Some people look for light in the dark to break free from the cage like a small spark, while some people adapt in the dark and can't even stand the scorching sun of the light. The warm red sun is too blazing for her, and she is afraid of those who have light on their bodies. Therefore, they must be extinguished in due course. When the younger sister was eating, the elder sister said, you have to save some for the younger brother... When the younger sister was going to go to the father, she did not agree that she had been accused of disobeying her mother many times, and always judged the younger sister aloofly. Every time she appears, it is very uncomfortable, she is a soft thorn, you can't tell how much damage she can cause, but she let her younger sister go out to fetch water and take risks. Just like tying her life to her younger brother and living for others, she couldn't see her younger sister's fighting spirit and brilliance, which scared her. But she really can't do any harm. I pity her, pity her, and dislike her. She has turned into this cowardly and twisted form, neither the tenderness and kindness of her mother nor the bravery of her sister. What she sends out to her family is only sullen oppression and anger, and the pervasive oppression of her sister is suffocating. It was the circumstances that shaped her like this, maybe she was mourning her pathetic fate, and her unpleasantness collided with the joy and sunshine of her brother and sister, you can't blame her, but you also like it Can't get her up. Another character, Deliwa, who is also a woman disguised as a man, has come a step further, she is braver and firmer than Parwana, and has no hope for this devastated hometown and family. She dressed in men's clothes. She was like a duck to water on the street, the sun seemed to be brighter, and she was exposed to the friendliness and openness that are only open to men in the world, which made her different from her sister. Through the lie that a woman can be liberated by marrying a woman, she saw clearly that it is difficult for a woman to obtain a comfortable life in this environment. In the last story of Suleiman, Suleiman is not a hero, but an innocent tragedy under the war, and the seemingly weak mother turned out to be a writer. For the dark forces like King Chen, will Suleiman's unfortunate short life be able to stop the enemy's attack? The story evokes sympathy in the audience, for the living, precious, resilient, unfortunate people of this land, but is that enough? What can be changed? Who should really listen?
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