None of the four of them thought about snatch. They are nobler than most of the people we have met, and they have better souls, which is why this paragraph seems unreasonable and full of prohibition and traditional moral values (male protagonist). Daddy represents) a four-way relationship that doesn't fit, and each of them looks at themselves more than the aggrieved every movie-goer and gets into it, yes, they look at themselves but can't stop themselves from being deep in the relationship. Trapped even more deeply due to scrutiny... Because, in the adult world, relationships are maintained by rules! The existence of this seemingly deformed and unreasonable extramarital relationship is due to the limited-time love between 5:00 and 7:00. Each of them is sober in this relationship that allows the four of them to grow rapidly.
Love needs preservation. Marriage can not escape the dull. It's solid. Sex and morality are the consolidation of love and marriage. At the same time, love and marriage are not true love and marriage if they are not viewed in isolation from sex and morality. I think more that the hero and heroine, the heroine's husband, and Jane (the heroine's husband's lover) represent love, morality, marriage, and sex, respectively. The husband of the heroine has a successful career, a lot of money, social status, connections, a luxury house, a sweet wife, and a pair of children. How can such a man lack admirers? The husband who can't, knows how to defend his marriage after the male lead proposes to the female lead (letting go is also a good strategy to advance by retreating). He is an absolute authority and a winner in life, and he stands in the most beautiful position. Jane is sober and has a good time. Even when I thought the heroine was charming enough, her appearance made me feel that if the hero hadn't appeared, it would be pitiful for this woman who always smokes outside the restaurant to be in such a situation! Jane Yan presses the heroine.
From the first time the male protagonist and the female protagonist spoke in French, it was destined to be two equally lonely souls in love. Don't be rude, if you have loved, you will understand that it is love, you will know, two sentences about whether you love each other or not. Words are enough. Their alternate sensibility and rationality are like the confrontation between love and morality. When the male protagonist is crazy in love, the female protagonist's maternal moral sense hits the brakes. The scrutiny below is reflected in the conversation he has with Jane after meeting Jane for the first time at the heroine's house party. The hero and heroine love violently, constantly churning between morality and love, sinking deep into the vortex of churning. If you've ever been in the publishing business, you know what kind of social connections and shit it takes for a budding writer to get in the eyes of a publisher. There is no shortage of writers who have been rejected thousands of times in life and become famous after death. The heroine always believes in his talent more than the hero, and no one can deny that this is love. They are all very noble, and each of them is not approaching with the purpose of exchanging interests, they really just meet, and then turn the distance into within 20 feet (lines). One last detail, the heroine returned the ring when she wrote the letter to the hero, but when they reunited at the museum many years later, the heroine showed the exact same ring again, I think the moment she put on that ring Married a man. A French woman who did not like formalism at first, only she understood the meaning of the ring, it was her and his secret, her and his story.
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