I haven't watched the original manga, so I don't have any preconceived emotions.
But the male protagonist's apoplexy expression with his eyes wide open and his mouth almost drooling with dementia is really a negative score. Not only the dementia, but also the lack of character and motivation. I don't think the original manga should set up such a person to be the C position, right? His face was paralyzed like Patient B who had just been admitted to the hospital, and he was as ordinary as passer-by A in the streets.
I can't see how much school violence and family tragedies have affected his willingness to act to protect everyone since he was a fool. In other words, there is no very direct, impactful connection. As for "protecting people who are weaker than you"? Oh, good TM in the second. A person who is bent on dying suddenly has his soul lit up, not by the second, really.
The supporting characters are much better than this one.
In terms of plot, "man's desire will become a monster", which is not fully narrated through the tension of the plot.
In the later period, "people are more terrifying than monsters" introduced rogues and the army, which has long been a common topic in other works.
The emotions of the characters are rigidly put together, and they have not experienced too many links of birth and death together (the background itself is not considered a "link of birth and death together"), and they still try to force out an earth-shattering friendship. The scene where the ballerina interjected and wandered around, looking for a scene and imposing a scene, made me fast-forward as soon as I saw her.
One point is given to the monster, one point is given to the priest, and the other point is given to Li Zhenyu. Okay, go away.
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