The nine Diatlov were not killed by the male and female lead. The chronological order is as follows:
Nine of Diatlov climbed the mountain by mistake and entered the Soviet base. They were experimentally killed in the base. One was killed next to the radiation source, so there was nuclear radiation. After the killing the Soviet military laid out the bodies to make them look like they were dead outside.
In the process of arranging the nine people, the hero and heroine suddenly passed through the space-time hole and arrived in 1959. Due to the huge energy mutation, the hero and heroine temporarily lost consciousness and lay on the ground like a corpse for a while, and were seen by the military and Aunt Sage. The military took them back to the experimental base because they were distorted, and the military wanted to use them for research. And because these two people are not natives of 1959, the military only needs to let everyone not know that there are these two people, no need to make arrangements, and the treatment of them is different from that of the Diatrov nine.
(Then why arrange nine people, because the nine people are connected in this world, and if they can't come back from the mountain, there must be a rescue team.)
The key point here is that the nine people were definitely not killed by the protagonist, and the protagonist had no motive or opportunity to kill them at all. Obviously, when the aunt found the protagonist, the protagonist fell on the ground motionless, and the aunt also said "there is a machine next to it" camera.
If the protagonist arrives and starts a killing spree and is subdued by the military, how can the camera be with them? It will be lost or far away. Obviously, after the protagonist arrived, he temporarily lost consciousness due to the distortion, and fell directly to the ground like a dead pig and was dragged back by the military. You can also see at the end of the film that after being hung up, the heroine slowly blinked her eyes, raised her head, and twisted her neck.
Because of the strange appearance of the two protagonists, the military did not understand, and it didn't take long for the protagonist to bloodbath the base, and the retreating military had to lock the door and leave. At the same time, six people said that they saw the orange light group. The military guessed that it was related to the protagonist but did not know how it was related, so the military explained to the outside world that "it is an unknown mysterious power."
The "unknown mysterious power" caused by the protagonist made the Diatlov incident widely known, but it attracted the protagonist group in 2013 to explore, thus forming a closed loop.
As for the male and female protagonists after the distortion, there should be no sanity, at least not as a human sanity. It is a habit to put the tongue and check next to the tent, because the heroine's memory is deeply engraved with the tragic death of Diatlov and the experience of climbing in 2013, resulting in "tongue pulling" and "tent" in the subconscious.
Questioning this subconscious mind, why did the heroine hope to return to a warm home but wear it on the mountain in 1959? Some people say that the space-time hole can only appear in 1959. That's not true. The film has always made it very clear that this heroine's dream is the Diatrov incident. She subconsciously remembers Diatlow the most clearly and deeply. husband incident. If you don't believe me, please recall whether the heroine sprayed a human figure on the ground when she just arrived. She is very clear about the cause and location of each person's death.
The crazy old man saw them and wrote a word to let them go, because he saw that the clothes of the hero and heroine were the same as the "corpses" at that time, which triggered his fear, so he let them go. He may or may not know the space-time hole.
As for their early arrival and the flares, I think it is due to the influence of the space-time hole, not the manipulation of the so-called distorted protagonist. If the distorted body is conscious, it should prevent the protagonist from climbing, instead of prompting the protagonist to climb the mountain. What does it picture? Some people say that in order to complete the crossing? In order to complete the crossing into a monster? Especially in the end the protagonist is chased into the space-time cave. If the monsters are conscious, it is not the monsters that let them in, but the monsters trying to stop them from entering, but they still enter. The monsters rushed at the door for a long time after the door was closed. Let the protagonist go in, what are they doing?
Aberrations have the ability to control their own body travel, but not the ability to control other spaces.
Putting the tongue can be said to be influenced by the memory of monsters to do this, but subjectively it is definitely not to want them to climb the mountain.
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