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Melody 2022-03-23 09:02:47

Amazing Japanese ghost stories have a long history Mizoguchi completed a magical narrative in a single shot, breaking the spatial boundaries between reality and psychology A one-shot panorama movement Long-shot charm Dramatic single-scene settings explain the results, shake the camera away, poetic mood, scene narration, deep into the courtyard space, temptation under the dance of the long shot, and the ghost of the former king singing, the male protagonist is like a dream that can't be woken up, the montage in the long shot is from the mandarin ducks The bath shakes to two people playing by the lake. The time and space transition in the long shot The male protagonist often falls in the ghost time and space. He is like weightless in the desire. The two prostitutes betrayed themselves, the male lead was entangled by ghosts, possessed by a guilt spell, and the music became weird after being reminded by a Taoist priest. He escaped from the space and was captured with nothing to go home. Sleep well, light candles, sew clothes, and light from outside the house slowly enters the room. One shot shows the psychological shot of going to the wife's grave at the end of the day and inserting a re-selection back to the past. The last scene is a blend of true and false. As time progresses, the wife slowly returns to her husband (surreal) The sacrifice of women in exchange for the growth of men

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Extended Reading
  • Joanny 2022-03-28 09:01:08

    Wasted half a life, empty luggage; lost and knowing return, things are right and wrong.

  • Jaquan 2022-03-27 09:01:14

    86/100, Japanese filmmakers' fascination with ghosts is an enduring tradition (of course, the underlying purpose is different in different eras). Although it is a classical monster theme, the scene scheduling is really top-notch, the sports long lens is delicate, and there are even some cross-time and space designs. Similar to traditional painting, it also has deep three-dimensional considerations. The information distribution and line perspective of the picture frame are extremely elegant, all visible elements are used efficiently, and the music cannot be ignored, which together constitute an outstanding aesthetic system of quasi-theatrical, realistic and surreal mixed.

Ugetsu quotes

  • Ohama: Success always comes at a price, and we pay in suffering.