Should provoke reflection on anti-defeat

Jacynthe 2022-04-18 09:01:20

There are only two viewpoints in the Japanese filming of anti-war defeat films. One is that everyone is guilty, so each of them will play 50 big boards every five or five times, which is to avoid the responsibility of starting the war. The typical method is to portray the Japanese people as being worse than the Chinese people (? You remember the atomic bomb, right); the other is that everyone is innocent, the country, the government, and militarism are guilty, and the responsibility for the war is thrown to the military. The typical saying is that history has passed, the old account has been written off, and an apology has been made Don't get tangled up any more (?). Both are a lack of responsibility and reflection on oneself and history.

If the crime of aggression is the responsibility of the soldiers, then none of your immediate family members were killed in the atomic bombing. What do you commemorate? What does it have to do with you? If the crimes of aggression are all the fault of the military, then all the people killed in the atomic bombing are the imperial people of the Japanese Empire, and none of them are citizens of modern Japan. What do you commemorate? What's the matter with you? This shows that the Japanese not only generally lack reflection, but also have no brains.

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Extended Reading
  • Chaya 2022-04-17 09:01:13

    The world is too cruel, I just want to keep a little happiness with you in this corner of the world, when it’s not too late to hug under the flames of the sky, when the devastation turns into the nib of a pen, when we go through life and death, we realize that we meet each other. Valuable, can always recognize you, life is always the most precious; survive the hard war with a brilliant imagination, the haze shrouded in the idyllic pastoral, and an anti-war attitude from another perspective.

  • Carolyne 2022-04-17 08:01:01

    Artistic cartoons in bold type (such as flying subtitles). The emotions are completely fragmented, and they refuse to be blunt and provocative. Instead, they guide the audience into a corner of the hillside overlooking the military port of Wu City, and receive sentimentality from a distance. For example, animation is the processing of film/reality, and the film constantly revolves around this rhetoric, with almost no traditional representation of war. Reminds me of a short poem by Abbas: The road was abandoned many years ago but the wildflowers seem to know nothing.