Katherine Heigl, it was accidental to like her. Encountered in "Grey the Intern", I liked the role she portrayed as lizz, and fell in love with this not-so-exquisite beautiful girl. The affinity of the girl next door is the reason to fall in love with her. After that, she didn't appear in this series again, and started to watch several movies starring her. Katherine seems to like romantic comedies very much. Although these are not very good and amazing in general, it is still quite enjoyable to see this woman.
When I watched "life as we know it", it was rainy and rainy, and I had forgotten the content of the introduction, and watched it with the unknown. I really like the state of Snail House watching a relaxing love comedy.
Two people who are not pleasing to the eye can only be friends.
When Sophie's parents died unexpectedly in a car accident, they were very gloomy for the child.
The little girl who knows how to act has the potential of being a little star.
A cookie shop owner who is full of arrangements and fantasies about life can start offensive when she sees the object of love at first sight. This is her life.
A male protagonist who is comfortable with life and loves the dating mode, and his unsettled heart rolls in the gentle town every night.
Because of a child, a wonderful family was formed temporarily. The two people who couldn't get together in Baganzi moved into a big house and began their "cohabitation" days.
For the unknown of the child, from fear to helplessness, helplessness to integration, together nurturing Sophie's happiness and moving.
After Sophie challenged the limit of the chef countless times, she finally ate Katherine's recipe, and Katherine was as happy as a triumph.
Sophie smiled, Sophie walked, Sophie was happy watching cartoons, and they became the focus of their excitement.
Unconsciously, from playing their respective roles well to being infinitely integrated into real life roles.
From resistance to acceptance, from acceptance to dependence, this may be another mode of interpretation of love.
The male protagonist fell in love with the female protagonist, and lost the ability to think when he chose career and life.
Can't blame this man for his wandering, and the final decision.
He loves freedom so much. He has always been unrestrained. Although he is in love, he still has no way to make a quick decision to stay because of this love.
So when the carnival appeared, looking at her back after holding Sophie left, there was helplessness and perseverance in her eyes, and there was a hidden impulse to catch up.
More often, the male protagonist looks at the female protagonist outside the cookie shop, watching her busy and smiling.
In fact, he didn't know what kind of attitude he should face her next time without embarrassing each other.
I don't know how to solve those misunderstandings and how to continue.
It is really not easy for a man who is always squandering his youth and advocating freedom under the "dating mode".
In the end, everyone was naturally happy, one went to the airport to stay, the other went home and waited.
Love comedy.
I like the babysitter to turn around and say hurriedly: "You guys really match up." I
like the old lady at the airport saying to the host's notebook: "Your family is really happy."
The supervisor who likes them cried in the car and said, "I didn't expect It’s like this ending, it’s a pity, you should be together."
Like the supervisor said to her: "You are already a qualified mother"
like him saying, "We are really like a family, this is what they keep Sophie. Give us the reason.”
A woman finally no longer fantasizes about love. She should have a car and a reserved seat to measure whether a man is romantic or not.
A man finally settled down and ended his wandering, gentle hometown life.
What this couple needs is more time to get along and communicate calmly and without prejudice.
In fact, love is sometimes not love at first sight, it is not a must, but a certain connection from unaccustomed to accustomed, a certain sense of existence.
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