First of all, my understanding of the setting is that the world where the book research is located is a pure result display interface, and the world where Yingshu is located is the internal code. And the two worlds run strictly synchronously with a fixed time difference. At the same time as the internal code changes, the display interface begins to change.
So in the end of the Easter egg ending, my understanding is that my mother and Yingshu didn't die after brushing downstairs, my mother fled with Shuyan, and Yingshu woke up and ran away on her own. After 20 years, she called herself and told herself This time, I have to hold the phone, so my mother failed to receive Shuyan's call, which changed the result again, my mother disappeared, and Shuyan was imprisoned in Yingshu's hands.
However, the smartest thing about the director is that he knows that there is an idiom in China called snipe and clam fighting for the fisherman's profit.
Are Shuyan and Youngsook different personalities of the same person? You have different opinions and wisdom, so that the heat will not diminish.
One of the biggest doubts is that in the world of Shuyan, when changes occur due to changes in the past, everyone will simultaneously become new memories. Only Shuyan is outside, and her memory is where she escapes. world exists independently. It felt like everyone was an RPG and only she was the player. She becomes a bystander who surpasses everyone and watches the world annihilate and then reorganize, leaving only her own thoughts and memories unaffected. And then she's in it again, because the flesh will be affected. That is to say, whether this setting itself makes Shuyan change her memory, or she can stay out of the way because she is the linker, it can be justified. But it happens to be affected but only the body and not the memory. The best explanation for that is that book research needs to retain memory in order to keep the story going. It makes sense that these are all her own imaginations.
But both make sense, both have contradictions, both have information that needs to be expanded by themselves, and both have clues that will be overlooked and missed. Different from the art of writing, readers can't see it without black and white. Even if you write a foreshadowing that seemed insignificant at the time, it is easy to be noticed because of the abruptness. Unlike movies, the corner of a short shot reveals the outline of a suspected clue, which can become a hidden easter egg that reverses the entire ending. This may be the greatest charm of video art.
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