A few minutes after the movie started, the little male protagonist escaped through the window, the gangster brother ran over to take a look, then ran back and told his boss that the child ran away. What's the problem, from this second, these few shots set the tone for the film's low-IQ plot. Since then, there is hardly any setting, plot or scene in the whole movie that can logically make sense. I don't know how such a script passed. Then, when it comes to fighting, it is worth affirming that this movie is almost from the beginning to the end, which is a bit like a martial arts movie. If it can be made into a martial arts movie, it doesn’t matter if the plot is messed up, because as we all know, the plot of a martial arts movie is like a love action. The plot of the film is not important, the key is to play wonderfully. It's a pity that the fight scene in this movie, although the action is fierce, is amazingly lacking in bright spots. The only fight that is a bit ornamental is the part where Iko hangs a bowl and beats the male protagonist. When I saw Iko, I thought there would be a wonderful boss battle, but it didn't. Not only is there no boss battle, but there is not even a wonderful battle of miscellaneous fish. In the end, Iko beat a group of gangsters, which can explain the problem. Any miscellaneous fish battle in the raid is a hundred times fiercer and fiercer than the fight in this movie. I feel that the level of fighting in this movie is completely apprentice-level to Iko, so he made three shots in total, each time walking around in the courtyard, which is in sharp contrast to his swaggering wolf run in the raid. Which also fully explains why the fight in this show is so lackluster.
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