The emotional tone of the film continues Kitano's consistent characteristics. Yamamoto made a delicate footnote to the birthday gift that Yamamoto gave to the black brother's mother, but Yamamoto left a bag of US dollars for the black brother before he died. It should be moved to be a new person, and this kind of treatment will inevitably mean that the big guy Yamamoto has achieved immortality. From the perspective of video style, the quietness that should be quiet, the jumping that should be jumping, the sharp switching is just right, the close-up of the silent characters, the empty mirror that omits the process, and the instant violence, all played very admirably. I highly admire Kitano's "speak less nonsense" lens language, which is a free and easy and decisive, simply vigorous attitude.
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