Lulu movie script
Text / [Germany] L. Vajda, J. R. Frisler
Translation/Single Wanli
Entrance hall of Lulu's room, interior view, daytime
Fade in. 1. Close-up: An elderly gas company employee is using a calculator to settle accounts. 2. Medium shot: Lulu, a young girl in her early twenties, with black hair cut into a "tomboy" hairstyle. She walked out of the bedroom, wearing a white gauze nightdress with a low neckline, a wine bottle under her arm, and a sly smile. 3. She approached the clerk, who turned his back to her and concentrated on his work. 4. Close-up: She pours a small glass of wine for the staff. 5. Counterattack: The staff looked at her and smiled shyly at her. 6. Lulu smiled too, put the wine bottle back under her arm, and looked at the bill. 7. The clerk looked at her and thanked her, then gulped it down, with contented joy in his eyes. 8. Lulu is still laughing out loud without realizing her charming charm. The man, being entertained by the casually dressed young lady, turned his head away to hide his bewildered look. 10. Close-up: Lulu is still smiling, looking at the bill. 11. Side medium shot of the two: Lulu takes the wine glass while looking for money for him, the staff is excited and drops a few coins in a hurry. Suddenly, the two suddenly turned their heads to the door, indicating that someone had rang the doorbell just now.
12. Medium shot: On the landing, a small man in a hat stands facing the door and his back to the audience. 13. Medium shot: The staff and Lulu, she was about to walk towards the door, but the staff hurriedly stopped her and walked over to open the door by herself. 14. Same as 12: The back of the visitor, the door opened, revealing the staff's face. 15. The visitor: He is Sigorshey, a disheveled old man with a suspicious look. With a vulgar sneer on his face, he gave a showy salute, and took off his hat as if begging for alms. 16. The clerk, apparently lethargic by this annoying uninvited visitor, hurriedly rummaged in his pocket for money. 17. Close-up: Lulu is a little embarrassed and raises her head to see the face of the person coming. 18. Medium Shot: Sigorshey confronts the staff who are rummaging through their pockets. 19. Lulu recognized the person and shouted with a smile:
(subtitles) "Segorshee!"
20. She happily ran to the door. 21. Medium Shot: Clerk and Sigolshey, Lulu into the painting. As soon as Sigorshey saw her, she stretched out her arms with joy, she pushed the clerk aside and put her arms around Sigorshey's neck to let him in. They ran through the front hall, and she let Sigorshey into the bedroom and closed the door. 22. Medium Shot: The clerk stands at the entrance to the hallway, shaking his head angrily, looking down at the change in his hand. 23. Close-up aerial shot: Two coins fall to the floor. The staff's legs are drawn. We see his arms as he bends over to pick up the coins. The camera pans left to a chair with his hat and bag on it, holding the bag in one hand. The medium shot frame entered the staff, he put on his hat, pressed it with his hand, put on a serious look, and walked out with a firm pace.
fade out.
Lulu's bedroom, interior view, daytime
24. Medium Shot: Lulu and Segorshey spin excitedly, hand in hand, like a children's game of circling. Lulu hurriedly put the wine bottle on the small round table. The house is very bright and bright, and the furnishings are quite ingenious: small antiques, works of art, oil paintings... 25. Medium shot: Lulu puts her hands on her waist, she is wearing a white gauze nightdress, which is particularly moving. 26. Close-up view: Sigorshey rests his arms on the fireplace, takes off his gloves, and surveys the house slowly, as if to give it a price. 27. Beat Lulu: She smiles and pats her chest like a child to express her joy and pride in having it all.
28. Sigorshi put the gloves on the fireplace and stared at Lulu's bag. 29. Close-up: He takes the bag, opens it, draws a roll of bills from it, and counts it as if it were a prostitute. 30. Lulu put her hands on her waist, frowned, and looked unhappy. 31. Sigorshi took out half of the money and put the rest back into his bag without saying a word. 32. Fighting Lulu back: She changed her displeased expression, smiled, and tilted her head back to show him that she had forgiven him. 33. Sigorshey looked around the house and said:
(subtitle) "You did a good job."
34. Medium Shot: Siddarcy picks up her hat from her chair, sits down, and Lulu walks from behind him to his right, sitting on his lap. 35. Close-up: Lulu's profile, she is left to the tender caress of her old partner. He said:
(Subtitle): "We haven't seen each other for a long time."
36. Continuing the scene: Lulu sits on Sigolshee's lap. 37. Close-up: Siegolshey's head, Lulu hugs his shoulders, and they hug each other tightly. 38. Close-up overhead shot: The wine bottle on the corner of the table next to it, which Sigolshey has just seen. 39. Close-up, he grabs the bottle, nodding like a connoisseur, asking Lulu if he can drink it with his eyes. She was about to find a cup, but Sigorshey opened the cork and took a slow swig into his mouth. Lulu pretended to disagree and smiled after a while, and she was happy to see him so interested. Sigorshi looked at a painting on the opposite wall. 40. Medium Shot: Portrait of Lulu in underwear with a harp in her arms. 41. Seeing the portrait, Sigorshi asked Lulu, who was still sitting on his lap:
(subtitle) "Are you still dancing?"
42. Same as 41. Lulu shook his head, he pushed her away, made her stand up, and wanted her to dance. 43. Medium Shot: Lulu dances and spins in front of her portrait. 44. VISION: Sigorshey takes a small harmonica from a dirty plate. 45. Medium Shot: Lulu immediately jumps into a frantic Charleston-style dance. 46. Counterattack: Sigorshi played the harmonica to accompany her. 47. Lulu jumped and jumped and stopped suddenly. 48. Sigorshey is still playing the harmonica hard. 49. Lulu stopped. 50. The old man blew more and more vigorously, his eyes widened. 51. Close-up: Lulu is still standing motionless, worried that he will be furious. 52. Fighting back against Sigorshi: He stopped playing and waved his harmonica threateningly, as if he was going to beat Lulu. 53. Lulu is anxious. 54. Siegolsh draws from the left. 55. Medium Shot: He walks up to Lulu and raises his harmonica to frighten her, but when he speaks, his attitude is kind:
(subtitle) "You forgot all about it...you wouldn't be like this if you were with me..."
56. Medium Shot: The two look at each other and Lulu interrupts him:
(subtitle) "...in that shabby roof? I should have left you sooner."
57. Tong 56: She hooked his neck, glad to see him showing a naughty smile so soon.
(subtitle) "Dr. Schoen's care for you, and his newspaper...but...a friend alone is not enough to guarantee our future."
58. Same as 57: Sigorshi's eyes turned to the window.
(subtitle) "You must be discovered by the public. I have introduced you to the man of status."
59. Same as 58: They go to the window. 60. Panorama: This tall and large glass window is like a studio, and people guess there must be a balcony full of green plants outside. They walked forward, trying to look outside through the open floor-to-ceiling windows, and we saw the house outside. 61. Panoramic aerial shot: the street seen from the window. On the pavement, a large, athletic man (he was a horizontal bar player) paced up and down.
62. Medium Shot: Segorshee points the man to Lulu.
(Subtitles) "He's Rodrigo Kvast. He wants to do a great music show with you."
63. Same as 62: They leaned over to look at him again. 64. Medium shot overhead: Rodrigo standing under a street lamp. 65. Just as Sigorshey made a gesture to let him in, Lulu hurriedly stopped him, feeling a little uneasy because she heard someone coming in.
(Subtitles) "Dr. Schoen is here."
66. Medium Shot: Lulu hurriedly hides Sigorshi in the corner of the balcony and makes him sit against the wall. She passed through the floor-to-ceiling windows, and the old man Sigorshey, who only showed his head, gestured to her.
67. At the door, Dr. Schoen opened the door and put the key back in his pocket. When he entered, he put the bowler hat and gloves on the hanger, took off the coat and hung it up. He was in his fifties, with a monocle, a serious-looking, burly big bourgeois. 68. Overlooking the balcony: Sigorshi gestures to Lulu. She ran and gave him the bottle, his gloves and hat, which he put on and curled up in the corner for fear of being seen.
69. Medium shot: Dr. Schon opens the bedroom door and comes in. Lulu enters the painting from the left, and hurries to put his arms around his neck. She jumps up and down, and instinctively crosses one leg, she is a childish woman. 70. Same as 68: On the balcony, Sigorshi looked panicked. 71. Medium shot: Lulu wanted to hug Shane passionately, but he was melancholy and restless, just patted her arm and pulled away from the right side of the painting. Lu Lu watched him leave awkwardly. 72. Medium Shot: Schoen approaches the fireplace, sits heavily on the arm of an armchair, and turns away in frustration.
73. Medium Shot: Lulu puts her hands on her hips, frowns, and looks at him suspiciously. 74. Schoen put his hand heavily on the fireplace. 75. Lulu stared at him in surprise. 76. Into the shot: Schoen's hand grabs a gadget on the fireplace and fiddles mechanically to quell his undisguised anxiety. 77. Feature: Lulu's questioning gaze. 78. Schoen's hand off the gadget, it's a little porcelain dog. 79. Schoen's frontal medium shot: He wants to talk but doesn't know what to say. 80. Fighting Lulu back: She stared at him, and he walked back and forth in the room to cover up his unease. 81. Medium Shot: Shane walked towards Lulu, wanted to speak but only sighed, biting his lip nervously. 82. Feature: Lulu's eyes follow him: she soon discovers his inherently stubborn expression. 83. Medium Shot: Schoen walks to the sofa, sits down, and mechanically pulls out a cigarette. 84. Close-up: Lulu smiled at his unusual look. 85. Medium Shot: Schon sitting on the sofa. Lulu entered the painting from the left, and at the same time, Shane finally made up his mind and said to her without even looking at her:
(subtitle) "I'm getting married!"
88. Close-up: Lulu pretended to be indifferent, turned behind him, put her arms around his shoulders, and asked him charmingly:
(Subtitles) "Are you not hugging me because you're getting married?"
89. Same as 88: She stroked his neck tenderly, with a cigarette in her mouth, Shane pulled up and stood up. 90. Close-up: He walks to the window while lighting a cigarette and says:
(subtitle) "The whole town is talking about our relationship. It's jeopardizing my career!"
91. Medium shot from overhead: Lulu sits on the sofa, leans down, puts her head in her hands, and makes a seductive pose. 92. Anti-Taiwan: He lit a cigarette nervously and painted from the left. 93. Lulu is still in that provocative pose, looking at him with a smile. 94. Close-up: Schoen is standing facing the window, the cigarette he just lit is immediately thrown to the ground by him. 95. Close-up: Smoke falls next to a pot of flowers. 96. He clicked on the monocle, making sure that he was wearing it securely, and then walked towards Lulu. 97. Medium Shot: He passes Lulu and stops for a moment without looking at her. Behind him, Lulu twisted back and forth on the sofa, like a female cat in heat. 98. Lulu's medium shot. Schon stood there and turned away to avoid her trap. He sat down slowly, took great pains to give up the idea of hugging her, and said slowly:
(Subtitles) "Don't you see it's time for this to end?"
99. Close-up: Lulu turns her face away to show her white neck, she wraps her arms around Shane, falls on his shoulders, and whispers beside him childishly and tenderly:
(subtitle) "You want to get rid of me unless you kill me."
100. Medium shot: Lulu hooked Schon's neck, he pulled out gently, and then gently lifted Lulu with his firm arms like he was fiddling with a weak grass. She came close to his face, and the two couldn't help hugging each other. Sheen finally couldn't stand the temptation, no longer resisted, they swayed because they hugged too tightly. The camera pans up, framing the portrait of Lulu on the wall.
101. Close-up: Sigorshey curls up on the balcony, picks up the bottle, lifts the lid and drinks. 102. Close-up overhead shot: A small white dog is lying by a flowerpot on the balcony. It wakes up and screams when it sees Sigolshey. 103. Same as 101: Sigorshi backed away in fear. 104. Fighting back: The dog is still barking. 105. Sigorshey hides his face behind his hat comically.
106. Lulu was lying on the sofa, showing a tired face after making out with Sheen, and opened her eyes when she heard the dog barking. 107. Same as 105: Dogs. 108. Sigorshey put on his hat. 109. Counterattack: Dog. 110. Close-up: Sigorshi pours some wine into his palm. 111. Counterattack: The dog that came to Sigorshi. 112. Close-up: Lulu's face fell on the sofa, she stood up with a smile. 113. Same as 111: Sigorshey let the dog come to him and let the dog drink the wine in his hand. 114. Counterattack: The dog walks forward. 115. Same as 113: The puppy came to lick Sigorshey's hand.
116. Medium Shot: Lulu walks through the balcony's floor-to-ceiling windows to see what's going on. 117. Same as 115: The puppy turned around and ran towards the mistress. 118. Lulu's medium shot: Schoen follows from the right and Sigolshey is spotted. 119. Overhead shot: The old man is hiding in the corner of the balcony. 120. Counter Strike: The Face of Schön's Threat. 121. Same as 118: On the balcony, Lulu turned to Schoen, pointed to Sigolsh, and introduced to Schoen naturally:
(subtitle) "He was my first...protector!"
122. Close-up: Schön can't believe his eyes and ears. 123. Same as 119: Sigorshi stood up from the corner and leaned his back against the wall in horror. 124. Lulu turned sideways and she laughed again. 124. Close-up: Sigorshi is still standing there, smiling mockingly, greeting slowly and saying:
(subtitle) "It's the best it can be."
126. Same as 122: Schön. 127. Counterattack: Sigorshi is still there to salute. 128. Same as 126: An angry Schoen slammed out of the painting from the right. 129. Medium Shot: Lulu rushes to catch him. 130. Medium shot: At the entrance of the room, Schein hurriedly picked up his coat and hat, Lulu had come to the bedroom door, and reached out to try to stop him. But seeing that he had slammed into the door and left, Lu Lu resignedly leaned against the partition, unable to hide her unease.
131. Medium Shot: On the balcony, Sigorsi shakes his hat and greets Rodrigo on the street. 132. Panoramic aerial shot: On the street, Rodrigo, dressed in a suit and top hat, walked towards the building with a majestic smile. 133. Same as 131: Sigorshi returns to the room.
stairs of a building, interior view, daytime
134. Panorama slightly down: the stairs seen from the platform on the first floor, Dr. Schön was busy wearing his coat while going down the stairs quickly, at this time, Rodrigo entered the building through the glass door, and they passed by , but do not know each other. Schon hurried out of the building, and the door closed as Rodrigo walked up the stairs with steady steps.
Lulu's room/foyer, interior, daytime
135. Medium Shot: Lulu is standing against the partition, while Sigorshey goes out of the painting to open the door. 136. MOVING FOLLOWING: He opens the door and Rodrigo comes in. 137. Lulu smiled at him. 138. Same as 136: Rodrigo enters the bedroom with a smile on his face, Sigorshi greets him and takes his arm, and they walk towards Lulu. 139. The camera pans to the right, medium shot, framing the three of them. Lulu was in the middle, staring intently at Rodrigo, while Sigorshi introduced. 140. Close-up: On the left side of Lulu, she greets Rodrigo curiously and very warmly. 141. Counterattack: Rodrigo has the shy smile typical of a strong man.
142. Same as 139: Sigorsi takes off Rodrigo's hat, and he already holds Lulu's hand. She pulled out her hand and shook the hand hurt by the strong man. 143. Medium shot of three: Rodrigo stretches out his right arm to show his strength. 144. Close-up slightly leaning: Rodrigo's arms stretched out horizontally, with a surprised expression on Lulu's face. She quickly touched his solid muscles through his sleeve, her eyes full of admiration. Suddenly, like a lively and naughty little girl, she clings to the horizontally stretched arm with both hands and hangs her body, as if she was playing the horizontal bar, and she laughed back and forth. 145. Close-up: Sigolshey laughs when he sees the game. 146. CLOSE-UP: Lulu has a childish and cheerful smile as she clutches Rodrigo's arm. 147. Close-up aerial shot: Lulu's legs swing back and forth. 148. Same as 146: Lulu kept laughing. 149. Same as 147: Lulu's legs swing happily. 150. Same as 148: Lulu's cheerful smile fades away.
Interior Minister's Room, Interior, Daytime
An invitation card reads:
(subtitle) "The Honourable Dr von Zarnico, Minister of the Interior, has the honour to announce the engagement of his daughter, Miss Charlotte Marie Adelaide, to the newspaper dealer Dr Ludwig Schön."
151. Close-up: The Minister of the Interior reads an invitation while smoking a cigarette. 152. Close-up: His daughter sits at a small desk, addressing envelopes from a guest list. 153. Medium Shot: The Minister approaches his daughter and reprimands:
(Subtitles) "Let me remind you again? Boy. Schon's character is going to screw up this marriage!"
154. Same as 152: She was silent for a moment, then turned to her father:
(Subtitles) "Stop talking, Dad, I don't care about gossip."
155. Panoramic view of the room: The minister shook his head helplessly, kissed his daughter's forehead, and walked back. She picked up another envelope and inserted it into the typewriter. Xi hidden.
Dr. Schoen's Room/Alva Schoen's Room, Interior, Daytime
156. Close-up: Alva, the son of Dr. Schön, plays the piano. He was about twenty-five years old, a pianist for dance accompaniment, and he was playing a melodious piece of music. He whistled softly, nodded and tapped, pausing to write something on the score. 157. MIDDLE CLOSE DOWN: The open door, Countess Anna Gorshwitz enters, a painter with a blueprint under her shoulder. She wears a men's dress and a bow tie, and walks with a manly style. 158. Medium Shot: Alva is playing the piano, he doesn't hear the Countess when she comes in, she taps the keys sharply and reaches for him. When Alva saw her, she jumped up happily, kissed her hand quickly, and quickly put on her coat. Madam put the drawing on the piano:
(subtitle) "Alva, here's a costume sketch for your show!"
159. Medium Shot: Madam opens the drawings and points to the sketches. 160. Insert Shots: Sketches of various costumes for female dancers. 161. Same as 159: Alva hands her a cigarette and she takes it, acting like a man. 162. The camera reframes the countess, Alva lights her cigarette, her eyes full of tension and anxiety, and asks:
(subtitle) "How is Lulu?"
163. Close-up: Alva's front. He lowered his eyes and looked a little unnatural, but he couldn't help but answer:
(subtitle) "My dad should cut ties with her...the wedding can't be postponed any longer."
164. Medium Shot: Lulu comes in smiling, well-dressed, wearing a black tight dress and a triangular white cape. She walked towards them quickly, shaking hands with Alva first, and then with the lady, who held Lulu's hand for a long time. Lulu pulled out her hand and quickly came to a hanger. She jumped up, grabbed the crossbar of the curtain with both hands, and hung her body, swinging like a horizontal bar. 165. Medium Shot: Alva and the Countess are overwhelmed by her sudden movement. 166. Close-up: Lulu smiled and grabbed the bar tightly, and said in surprise:
(subtitle) "Rodrigo...the famous Rodrigo Quartz...he's going to put on a great show with me! We've rehearsed!..."
167. Same as 165: Alva casts bright eyes on Lulu. 168. Medium Shot: He pulls Lulu back to the ground; she slowly slides down his body to the ground. 169. Close-up: She puts her arms around Alva's neck, strokes him tenderly, kisses him, and says to the countess:
(subtitle) "Alva is my best friend...the only one who doesn't ask me anything..."
170. Counterattack: The Countess was smoking a cigarette and her eyes were fixed. She was displeased at seeing the young couple so tacit understanding. 171. Feature: Alva and Lulu turn around, their silhouettes. Lulu in the backlight looked even more charming, she looked at Alva affectionately and teased him:
(subtitle) "Do you want nothing from me because you don't love me?"
172. Close-up: Lulu's hands slide down Alva's shoulders, and Alva bows his head in embarrassment. Lulu got away and pulled him hard to the right. 173. Medium Shot. Lulu came to the piano, followed by the Countess and Alva. 174. Insert shot: She looks closely at the costume design sketches. 175. Frontal close-up of three people: Lulu admires the sketch, smiles and says to the countess who is holding her arm:
(subtitle) "Dear Gorshwitz, you should design a similar costume sketch for me too!"
176. Medium Shot: The Countess agrees, still holding Lulu's arm for a long time, before turning around and walking towards the door with Alva. 177. Medium Shot: Alva sends Madame to the door, and before she leaves, she casts another elegant glance at Lulu. 178. Lulu picks a sketch and runs towards the other door. 179. Panorama: Dr. Schoen's large living room, Lulu jumps through the living room to Schoen's study. 180. Medium Shot: A huge writing desk in front of two windows. Lulu came to the front of the stage and looked at a photo in the frame on the table. She picked up the photo and put the sketch on the table. 181. Insert shot: The picture shows Charlotte, Schon's fiancée. 182. Same as 180: Lulu looked at the photo with no malice, and handed it to Alva who just came in from the right, she asked:
(subtitle) "Is she really that beautiful?"
183. Medium Shot: Dr. Schon enters the painting from the left, grabs the photo from Lulu nervously, puts it back on the table, and scolds Lulu:
(subtitle) "I will never let you in my house!"
184. Medium Shot: Shane and Lulu stand face to face, Lulu looks at him, puts his hands on his hips, and retorts provocatively:
(subtitle) "I didn't come here to see you!"
185. Same as 184: After Lulu finished speaking, she blatantly turned to Alva and followed him out. Schoen stopped his son:
(subtitle) "Alva!"
186. Close-up look up: At the door, Alva turned around, and Lulu also turned around. 187. Fighting back: Alva's father sat down at the table angrily and slowly. 188. Close-up: Lulu turns to Alva in a seductive pose. 189. Schoen sat at the table and muttered:
(Subtitles) "Can you pass me the K-volume of the Encyclopedia?"
190. Same as 186: Lulu kisses Alva's lips quietly. To complete the provocative dramatic scene, she said carefully:
(subtitle) "It's settled, come to my place tomorrow."
191. Same as 190: Lulu smiled and stared at Alva. Before going out, she shrugged and gave Schon a contemptuous but not showy look. 192. Counterattack with 189: The insulted Schoen. 193. Alva goes to the bookshelf on the left. 194. Medium Shot: He takes a book from the top shelf of the bookshelf and paints from the left.
195. Medium Shot: Alva puts the book on the desk in front of his father, and he looks out the window to hide his embarrassment. Instead of touching the book, Schoen stared absently at the picture of his fiancée. 196. Close-up: The photo in the frame, Schoen's hand holds the frame, and puts it to the right. 197. Close-up: Alva stands at the window, turns around and asks:
(subtitle) "Dad, why don't you marry Lulu?"
198. Close-up counter-attack: Schoen looked very scary, and replied rudely:
(subtitle) "No one would marry such a woman! That would be self-defeating!"
199. Medium Shot: Schoen jumps up from his chair angrily. 200. He strode across the house, past a large tapestry. 201. Alva hurriedly lifted up the chair that her father had just dropped to the ground, and put away the sketches drawn by the countess that Lulu had just put on the table. 202. Same as 200: Alva Bu hurried past his father, wanted to leave the study, and turned back when he heard his father speak.
(subtitle) "What is she doing here?"
203. Close-up: Alva's profile. 204. Insert Shot: A sketch he holds in his hand. 205. Same as 203: Alva replied:
(subtitle) "I think she's here for a concert. Someone wants to put on a gymnastics show with her."
206. Close-up: Schoen laughs nervously and grabs his one-piece silver mirror. 207. Insert Shots: Sketches in Schön’s Hands. 208. Medium Shot: He looks at the sketch carefully. 209. Close-up: Alva's profile; his father taps his breast with a corner of the sketch. 210. Feature: Schoen taps the sketch’s fingers. 211. Close-up: Schoen's smiling silhouette. 212. Same as 209: Alva. 213. Same as 208: Schön returns the sketch to Alva and says to him as if he were an accomplice:
(subtitle) "It's not a gymnastics show! She wants to be on your show. She's a toss up... I and my paper can make sure her success!"
214. Close-up: Alva's profile, he was ecstatic when he heard this. 215. Same as 211: Schoen smiled. 216. Alva. 217. Schoen grabbed his son's arm. 218. Schoen walked right with him. 219. Medium Shot: A few steps away from the door, Schoen stroked Alva's face kindly, put his hand on his shoulder, and said:
(Subtitles) "But be careful, child. Beware of this woman!" 221. Feature: Alva's smile froze, her eyes lowered in depression, and she walked away. 222. Slightly bowed with 219: Alva took a few steps forward, opened the door, and hurried out. Shane turned his back to us, his eyes fixed on the closed door. fade out.
Backstage of the concert hall, interior view, night
223. Medium Shot: The gate, the actors seen from backstage. On the left is a firefighter in uniform and on the right a gatekeeper standing in front of a reflector. Several runners, one of them dressed in the costumes of the caliphate of the Islamic country, crossed the screen. The door opened, and Alva let in Countess Goshwitz with a bouquet of flowers. They were in evening gowns. The gatekeeper greeted them. The camera pans to the right to show the panorama, and we follow them towards the stage, where we see the stage set and the rows of footlights. 224. Half Panorama: The stage they see from the backstage. Lulu stood on stage, dressed in a bizarre gladiator costume—one of the sketches she'd seen drawn by the Countess. On the other side of the stage, seen backstage, Rodrigo's figure is also wearing a gladiator costume. 225. Counterattack: Alva and the Countess are delighted to see Lulu's success. 226. Same as 223: Dancers with spears lined up for the curtain call.
227. Medium Shot: Alva and the Countess looking at the stage. Lulu entered the backstage from the left, crowded, and didn't see them. The dressers were busy around her, and Alva quickly blew her a kiss. The Countess gave her flowers. Lulu took it, but her attention was focused on the stage, where the stage manager greeted her. 228. Mid Shot Leaning Down: Stage Manager and Lulu backstage. She laughed. He checked her big round hat and pushed her to the front of the stage for the curtain call. A stage manager in a gray open-top overalls holds a bouquet. Alva and the Countess appeared behind him, but he slipped away again. 229. Medium Shot: Rodrigo stands deep in the stage, clasped in that skinny gladiator armor. Lulu was standing to his left, moving ridiculously around with that playful hat. Rodrigo said to her:
(subtitle) "It's nothing! You should have a gymnastics show with me!" 230. Same as 229: Lulu slipped away. The stage manager rushed over, handed Rodrigo a shield, lowered the visor of his helmet, and pushed him onto the stage. Seven other gladiators followed in an Indian-style line: as they passed the stage manager, he slammed down the visors of their helmets next to each other. 231. Mid-view shot: The theater manager, wearing a tuxedo, is accompanied by the stage manager down the stage steps: the stage manager hands him the bouquet. A supporting character in a soldier's uniform on the right is cleaning his glasses. The setters are busy. 232. Medium Shot: Two props are transporting the set board. As they crossed the frame, a costumed Dr. Schoen led his fiancée on a backstage tour.
233. Alva greets the theater manager at the bottom of the steps. 234. Panorama: Schone and his fiancée walk toward the riotous crowd on stage. A fat man in oriental clothes squeezed Schon with his stomach and ran to the stage. In the background, the stage manager climbs a metal ladder with the script in his mouth.
235. Medium Shot: Down from the stairs Below: Two dancing girls running downstairs. 236. Medium Shot: Schon and his fiancee. The manager came in and gave her flowers, and Alva came over and only took a picture of the back. The crowd is in the background of the stage manager. 237. In order to let the hasty setters and props pass by, there was another crowd in the backstage. 238. Mid shot: The gladiators exit the stage. They threw the two dancing girls in their arms on the ground like throwing parcels. 239. Close-up: Schone and Charlotte watch them with interest. 240. Same as 238: Rodrigo appears, but he is not holding a dancer, but the last gladiator. 241. Panorama: This gladiator walks past Schon and Charlotte. The stage manager was busy backstage. The electronically controlled activity platform was parachuted down from the stage; three pots of flowers were placed on the stage, but they were immediately taken away by the props. The stage manager stepped back and accidentally stepped onto the rising platform. The platform rises vertically panorama, with the stage manager teetering on it and crouching laughably to keep his balance from falling. 242. Overhead shot: From the platform he sees the dancers below: they are laughing, causing the other supporting characters to look up. 243. Feature: The stage manager is sitting on the platform, expecting someone to lower him again so he can get a sandwich. 244. The camera returns to Schoen and Charlotte, who also look up. Many people passed before them.
245. Same as 243: The stage manager looks up, hoping someone will let him down. 246. Shoot down below his platform. People all looked up and laughed at him. A big fat man in oriental clothes waved his arms at him as he passed by. A scene setter came running with a pot of flowers. 247. Medium Shot: The stage manager jumps down from the platform with the script in his mouth. 248. Overhead shot: He jumped on the shoulders of a passing oriental man, took a beer and took a sip to calm his excitement. He rode on the shoulders of the Oriental and painted from the left; the crowd was already lined up, laughing at the episode that had just happened. Another oriental man followed behind the stage manager, imitating playing the flute, as if the stage manager were riding on a camel.
249. A supporting character in a soldier's uniform turned his back to us, taking off his trousers and changing his clothes beside a chair. 250. Close-up: Schön and his fiancee. The stage manager suddenly appeared among them, noticed the person changing clothes, and grabbed Charlotte's arm to divert her eyes from the sight of the undressing. 251. Counterattack: A changing corner wearing only shorts is sorting out village shirts. 252. Same as 250: The stage manager gestured to the man in shorts while pointing to Charlotte to see the sky above the stage, telling him to hurry up and hide. 253. Counterattack: The man is getting dressed quickly. 254, and by the time Charlotte turned around, the stage manager had disappeared, and Schon saw the episode and laughed. 255. Panorama: The stage behind the draped curtain: someone is hoisting the set, the props are busy, the stage manager is giving orders, and he is busy. 256. Mid Shot: Schon and Charlotte are suddenly separated by a huge set, with Schon at the back and Charlotte standing alone in the front.
257. Panorama: Backstage, Lulu is surrounded by a group of dressers and makeup artists, changing clothes. She kept turning her head and stomping her feet. We see her back. She was trying on a dress, showing that beautiful back. 258. Close-up: Charlotte looks at her, the former eclipsed. 259. Same as 257: A dresser tries to fasten the straps of Lulu's skirt, still from her back; she stomps her feet impatiently and shakes her body. 260. Counterattack: Charlotte was stunned. 261. Medium shot, framed in Charlotte: The set has been removed to reveal Schon behind. They met again. 262. Panorama Counter Strike: Lulu. 263. Medium Shot: The still busy stage manager passes Schoen and Flott and apologizes to them. 264. Medium Shot: Lulu's back. She is wearing a hat made of peacock feathers. 265. Medium Shot: What Schon's mistress sees is her stunned face. 266. Counterattack: Lulu turns around and straightens her hat in front of the mirror, which is held by an assistant. 267. Close-up: Schoen's Face: The expressionist approach to lighting accentuates the displeasure on his face. We noticed that the whites of his eyes were enlarged by the monocle. 268. Close-up: Lulu is motionless, her beauty is sultry. She was looking at Shane, especially her rival. 269. Same as 267: The pale-faced Schoen turned awkwardly towards Charlotte. 270. Feature: Lulu is expressionless, but beautiful. 271. Medium Shot: Schön and Forlot are painted from the right. The stage manager ran to the background. 272. Close-up: Lulu's silhouette. Makeup artist in. 273. Medium shot, back to Lulu: The makeup artist is walking towards her with an open-top powder box and a powder puff in her hand. Lulu's eyes were fixed on Shane, she yanked off her hat, and suddenly pushed open the powder box. The makeup artist was powdered and slapped comically. Lulu rushed to the right of the painting. 274. The stage manager pushed her towards the costumer and tried in vain to put a hat on her. 275. Close-up: Lulu throws her hat on the ground and steps on it. She rushed to the right of the painting again, and the stage manager who followed behind tried to stop her. 276. The theater manager wants to figure out what's going on. 277. Medium Shot: Lulu is running around excitedly, being held by several assistants and supporting characters. She grabbed the manager's dress and cried out for help:
(subtitle) "I refuse to perform!"
278. Close-up: The silhouette of the stubborn Lulu. 279. Same as 277: The manager pushed her. The stage manager is in between the two. 280. Medium Shot: Schone and Charlotte return from the foreground to the backstage, looking at the props between the two sets. 281. Medium Shot: The backlash of the footlights on the stage: a Creole dancer twists with a black man in a Charleston-like dance. 282. Same as 280: The manager came behind Shane, patted him on the shoulder, and wanted to talk to him privately about Lulu:
(subtitle) "Calm her down!"
283 to 282: Schoen slips away with the manager, leaving Charlotte to watch the dance show alone. 284. Medium Shot: Alva meets his father while walking through the backstage. 285. Panorama, leaning slightly: Lulu, surrounded by people, is still very excited. Schoen enters from the left. 286. Close-up: Lulu's profile, she turns to Shane, her eyes stubborn. In the background, Rodrigo observes the stage. 287. Shane leans over to Lulu. 288. Same as 286: Schoen's finger points to Lulu's side. 289. Same as 287. 290 Same as 288: The finger stretched forward as if threatening. Lulu shouted and shook her head in denial. 291. Same as 289: Schoen is angry. 292. Close-up: Lulu. The silhouette of Schön, he snapped his fingers from bottom to top to increase his threat. Lulu turned to Rodrigo. 293. Close-up: Lulu speaks to Rodrigo. 294. Counterattack: He smiled and said:
(Subtitles) "Still, our show still works!"
295. Take 294: Lulu and Rodrigo walk towards the background. The stage manager showed up, anxious and confronting Schoen. 296. Medium Shot: Schoen painted from left. Go after Lulu. 297. Medium Shot: A naked-backed Lulu turns to Rodrigo, and Schone comes in and drives him out. He grabbed Lu Lu's wrist and hit her. The two scuffled. She broke free at last and cried out:
(subtitle) "I can dance for the world, but never in front of this woman!"
298. The camera returns to Charlotte; she is watching the show backstage: the dancers pass her and walk off the stage. She applauds. In return, they returned to the stage. 299. Rows of footlights from Charlotte's perspective: half-panorama of the dancers' curtain call. 300. Same as 298. The dancers are on stage again. Charlotte walked backstage. 301. Panorama: The stage behind the falling curtain, a new one is about to begin. The stage manager is restless at this point: everyone is waiting for Lulu to start the show. 302. Medium Shot: Lulu and Schön in front of the warehouse where the props are stacked. She shook her head and said "no", but he pointed to the steps of the stage.
303. Same as 301: On the platform, the stage manager threw the script on the ground in annoyance, and the manager impatiently tried to quiet the actors already on stage. 304. Same as 302: When Shane and Lulu are arguing, the setter and the supporting cast walk past them. Shane drags Lulu to the prop room. 305. The camera returns to the platform: People are still waiting for the curtain to open. 306. Medium Shot: Schön, back, pushing Lulu into the warehouse. The manager entered the painting, crossed the screen again, and shouted to the setter:
(subtitle) "Okay, let's get started!"
307. Take 306.: Lulu went into the warehouse. Schon let the manager in and closed the door. 308. Panorama of the platform: The stage director points above the stage, the curtain is about to open. 309. Medium background: The back of a setter who pulls the curtain up. 310. Panorama of the stage: The show begins; five dancers, dressed in somewhat oriental costumes, descend the steps in mechanical dance steps among the supporting cast members who sit cross-legged. 311. Medium Shot: The camera returns to the warehouse door, where Lulu and Schein are standing; the stage manager encounters two setters at the door, one of them gestures to tell him that Lulu is inside. The stage manager is ready to knock on the door.
312. Medium Shot: In the warehouse, the back of Schön. He was persuading Lulu. She shook her head in disapproval. He walked over, the silhouette of his sturdy back in the dark contrasting with the silhouette of Lulu's face lit by the bulbs on the roof. Lulu was wearing a dress with a low neckline, revealing part of her breasts, and when she stepped back, she bumped into the cabinet with gadgets. 313. Same as 311: Outside the door, the stage manager took out a sandwich from his pocket, was about to bite it, changed his mind, put it away, and decided to knock on the door. 314. Close-up: The silhouette of Lulu in the warehouse. Shane's hand grabbed Lulu's arm hard. The two faces are getting closer. 315. Same as 313. Outside the warehouse, the stage manager knocked on the door and the door opened. 316. Same as 314: Shane grabbed Lulu Baixi's arm hard. The contrasting light highlights the erotic component of the scene. 317. Medium Shot: The stage manager opens the door, clasps his fists, and asks Lulu for help. 318. Counterattack: Shane let go of Lu Lu's arm and walked past her to the door. The stage manager's hands were caught in the door, shaking ridiculously. 320. Medium Shot: Outside the door, the stage manager wiggles to get his arm out. He banged his head against the door, and finally pulled out his numb hand, and wiped the sweat from his forehead with a handkerchief.
321. Lulu and Shane returning to the house. Now Lulu turned around and pressed her forehead against the shelf. He grabbed her and made her turn around. She shook her head stubbornly. 322. Close-up: Shane's hands, he grabbed Lulu's arms and shook them hard. Under the vertical light, Lulu's upper body in a skirt with a low neckline swayed, very seductive. 323. CLOSE-UP: Lulu is shaken vigorously, her hair tossing and slapping her cheeks. As Schoen shook, the shelf she was leaning against also began to shake. 324. Feature: Schoen's bloodshot face. 325. Feature: Lulu stubbornly says "No". 326. The stage manager outside the door. He wiped the sweat from his brow. Shrug and draw from the left. 327. Mid shot overhead: The manager and Alva under the stage steps. The manager twisted his hands impatiently. The setters are busy everywhere. 328. Upside-down shot: On the stage, the actor dressed in the oriental caliphate approached the backstage while dancing, and asked the manager in a low voice:
(subtitle) "Where the hell is Lulu?"
329. Same as 327: The manager stretched his arms helplessly while answering. Alva was by his side. Charlotte meets them. In the background, the setters are busy. 330. Close-up: Back to the back of Schön in the warehouse, leaning against the shelf, nibbling his clenched fist, and bowing his head. 331. Close-up: Lulu's legs as she steps over a mattress on the ground at Schön's feet. She kicked Schoen with her foot, and he tried his best to dodge. 332. Same as 330. Schoen took out a cigarette case and looked at the ground. 333. Close-up: Lulu's bare back. She twisted her neck trying to get his attention. 334. Same as 332.: Schoen, fully aware of the dangers of her trick, pulled out a cigarette. 335. The medium background reframes Lulu's back. The lace of her skirt, which was too low at the neckline, clung to her fair skin. She sobbed, stomped her feet and shook her head, as if in a flirtatious scene. 336. Feature: Schoen smoking a cigarette, looking for fire irritably. 337. Close-up: Lulu's legs keep kicking back and forth. 338. Sheen looked nervous, struck the match three times, and finally threw the match away. 339. Close-up: Lulu's white and tender nude is even more charming against the backdrop of black hair. She was sobbing, or rather pretending. 340. Same as 338: Schoen strikes another match. 341. Same as 339: Lulu glanced at him and said while crying:
(subtitle) "No smoking here!"
342. Close-up: Schoen in a daze. He held up a burning match. 343. Feature: Lulu's hair on her bare arms. 344. Same as 342: Schoen threw away the matches and cigarettes, put his hands in his pockets, and turned around. 345. Medium Shot: Schein is walking up and down in front of Lulu, who is still tossing on the mattress. 346. Close-up: He knelt down, trying to make Lulu calm down and stop playing seductive wrists. He sits up front. back to her. 347. Feature: Lulu glances at him and straightens up. 348. Schön wiped the sweat from his brow. Seeing Lulu kicking her legs, she smiled like a savior. He stared at Lu Lu's naked body. 349. Same as 347: Lulu raised her head again. 350. Same as 348: Schoen smiled and put his head in his hands. Lulu stopped acting.
351. Close-up: Lulu's back. She stood up. 352. Same as 350: She sat down again, grabbed Schoen by the shoulders, and beat his back with her fists, trying to take his dress off his shoulders. He turned slowly and grabbed her wrist to stop her. They scuffled. 353. The close-up reframes Lulu: She bites Schoen's hand and drags him slowly to the ground, like an animal biting its prey. We feel he has lost. She brought her lips together to kiss him for a long time, her mouth open and passionate. Lulu hugged Shane tightly, and they both shook. Schon grabbed his mistress by the hair, his hands trembling with her seductive flesh, despite his vain attempts to restrain himself. 354. Medium Shot: The backstage door is opened by Alva who accompanies Charlotte. When Alva found out about his dad, her eyes widened, while Charlotte lowered her eyes sadly.
355. Counterattack: Medium Shot: Shane is half-upward, and is hugged by Lulu. She stood up with a faint smile, and we saw the look of a woman who had returned triumphantly but had also done evil. 356. Same as 354: Stunned Alva and Charlotte. 357. Counterattack: Lulu withdraws. Schoen stood up slowly, as if a little delirious. 358. Same as 356: The stage manager passes between Alva and Charlotte, and pleading with Lulu. 359. Mid shot counterplay: Schoen and Lulu. She stood up, tidied up a skirt and hair quickly, and walked forward briskly as if nothing had happened. Schon sat blankly on the mattress.
360. Medium Shot: Outside the warehouse, the stage manager is leading Lulu out of it. The camera pans to the left as they walk towards the dresser. Lulu put on the feather headdress again. The stage manager wiped the sweat from his forehead. Lulu smiled and organized her clothes. 361. Medium Shot: Alva and Charlotte walk away painfully. 362. Frontal half-panorama of the stage: The supporting actors are dancing, and Lulu appears on the stage, crossing the stage from right to left, followed by the camera, panoramic view. 363. Medium Shot: Alva accompanies Charlotte again to the door where the actors enter. She draws. 364. Storeroom Door□: In the middle shot, Schoen looks dejected, bows his head, and wipes his sweat with a handkerchief with difficulty. 365. Close-up: An empty chair backstage. The stage manager sits down, sorts out his script, loosens his belt, gets comfortable, and once again pulls out the sandwich he's never going to eat. He stopped, attracted by what was happening in the distance, put the sandwich on the chair again, and ran backstage to prevent anything from happening... 366. Same as 364. Alva walked towards Dad, who was leaning against the warehouse door. 367. Close-up: Expressionist lighting accentuates Schoen's white eyes, and he says bitterly:
(subtitle) "Are you happy, Alva? I'm going to marry Lulu! That's a death sentence for me! …"
368. Same as 366: Depressed Schoen, face ashes. fade out.
schon's room, interior, night
369. Panorama; the Great Hall of the Schöne House. To celebrate his marriage to Lulu, a reception is being held here. The guests dance the foxtrot in pairs. There is an orchestra in the background. Uniformed waiters shuttle among the guests. Schoen, dressed in a dress, was welcoming a pair of guests who were walking up the hall steps. He kissed the hand of the lady. 370. Medium Shot: Wearing a monocle, he tours the hall while greeting guests. 371. Medium Shot: People dancing. 372. Same as 370: A waiter brings coffee to the guests beside Schoen. 373. The dancers spread out so that a young girl and an old gentleman could pass by. 374. Panorama: The old gentleman introduces the girl to Schoen. 375. Dining room next to the hall scene: close-up: The chef is under the watchful eye of the butler, coloring the cake held by the assistant. Waiters walked around with trays.
376. Medium Shot: At the entrance of the dining room, Lulu appears among the guests in her new wedding dress. She was fiddling with the hangings, and behind them were Sigorshi and Rodrigo, who were eating and drinking at a table full of wine glasses. Lulu shook their empty champagne bottles. 377. Counterattack: The chef observes the scene in front of him with a smile while drinking. 378. Same as 376: Lulu pulls out a bottle of champagne from a barrel of a waiter who is bringing wine to the hall. She wanted to find a bottle of some other wine and put it in the barrel instead, drawing from the right. 379. Fight back: The chef watches with interest the shenanigans of the carefree bride. 380. Close-up: Lulu brings a plate of drinks to two drunks sitting at the table. Rodrigo kisses her hand. Siegolshee handed over the goblet filled with champagne, and she took a sip of champagne and walked down the hall. Sigorshi was drinking, shaking his glass to beat.
381. Medium Shot: In the living room, Alva is leaning against a bookshelf near the band as people dance in front of him in pairs. It seemed that he did not share the joy of the moment at all. Lulu walked towards him from the dining room. 382. Medium Shot: Countess Goshwitz leans against the wall with a gloomy expression. 383. Medium Shot: Lulu talking to Alva, he bows his head, she turns to... 384. Same as 382: The Countess. 385. Lulu walked towards her with a smile. 386. Same as 384: As soon as Lulu walked to the countess's side, she grabbed her arm and dragged her to dance tango with a manly provocation. 387. Close-up: Alva stares intently at them. 388. MIDDLE CLOSE, RIGHT PANEL: Lulu and the Countess dance across the hall, hugging each other. 389. Close-up: Schön looks around while standing among the guests. 390. Counterattack: The Countess lovingly pressed her cheek to Lu Lu's, and Lu Lu closed her eyes for a while. 391. Schoen was disturbed by this scene. 392. Medium Shot: Lulu and the Countess dancing tango among the guests. 393. Same as 391: Schoen apologizes to the guests and leaves them. 394. Medium Shot: He approaches Lulu and the Countess who are hugging each other. They stop. Lulu smiled innocently at her husband again. The countess put on a displeased expression and slammed Lulu away. Shane asked Lulu to follow him. The countess stood motionless. 395. Medium Shot: Lulu and Schone return to the guests. Lulu quickly pulled out her hand to avoid an old gentleman's kiss. The bride's white figure and fiery demeanor contrasted with the dark clothes and sullen expressions of the upper class and the big bourgeoisie. 396. Close-up: Countess Goshwitz. A gentleman stooped down to invite her to dance: she shook her head in refusal, and walked away with a displeased face. 397. Same as 395: Lulu and Schön accompany the guests to drink champagne. The free-spirited and carefree Lulu sees her husband's unconcealed embarrassment: Lulu's presence is undoubtedly a provocation to this pretentious high society.
dining room, interior, night
398. Medium Shot: A group of female cooks and maids clink cheerfully at Siegolsh's table. Rodrigo vulgarly attracted a maid who passed by with a bouquet of roses. 399. Close-up: He sits her on his lap and tries to kiss her. 400. Close-up: Sigolshee drunkenly takes the bouquet and raises his glass. 401. Same as 399: Rodrigo teases struggling maid. 402. Leaning slightly: Sigorshey, shaking the flower in his hand like a doll, stammered:
(subtitle) "It would be stupid if I didn't put roses on my little Lulu's wedding bed!"
403. Medium Shot: Siegolshey and Rodrigo stand up, holding each other up, pick up bouquets and bottles of champagne, and stagger toward the front hall.
foyer, interior, night
404. Medium Shot: Sigorshey picking flowers in a basket on the table. In the background, the people in the dining room looked at him and laughed. Rodrigo holds the champagne bottle. 405. Medium Shot: People laughing, champagne bottle in Rodrigo's hand. 406. Same as 404: Sigorshi holds all the roses in the flower basket in his arms. 407. Counterattack: The foreman of the waiter greets everyone to take a seat. 408. Close-up: Rodrigo grabs the flower basket. 409. Counterattack: People laughing and returning to the dining room. 410. Medium Shot: Jolly Rodrigo and Sigorshi. 411. Close-up: Two guests smiling and walking towards the left side of the screen. Two drunks passed them, greeted them staggeringly, and continued to the back of the hall. The other guests came to see what was going on. The waiters are busy.
living room, interior, night
412. Medium Shot: Schon and Lulu among the guests. Lulu slips away from the right side of the screen. 413. She walked to the front hall: the panorama was taken slightly upwards, at the door of the bedroom, she stopped at the door and turned around. 414. Panorama: Lobby. Schön's back leads the guests to the dance floor. 415. Close-up reframes him, front. 416. Medium Shot: A couple of dance partners take a nap by the band. 417. Same as 415: Schoen gestures to the band. 418. Same as 416: The band begins to play a piece of music. The couple began to dance, and the others followed on the dance floor. 419. Schön talking to an elderly fanning lady. 420. Mid shot overhead: Lulu in front of the bedroom door. 421. Counterattack: A close-up of Schön. 422. Lulu greets him over. 423. Counterattack: Schoen agrees, but is a little embarrassed, and finally turns to the guests. 424. With 419: Schoen talks to the lady with the fan. 425. Panoramic aerial shot: the vestibule seen from the hall. The waiters walked to the cupboards with trays of lettuce and a stack of plates. 426. Counterattack: Schoen points out the cupboard to the guests. 427. Same as 425: The people who want to take the dishes gather around the cupboard and make a mess. A tray with glasses and goblets appeared.
dining room, interior, night
428. Medium Shot: Lulu is standing in front of the bedroom door. The Countess entered the painting on the left, approached her hastily, put her arms around her shoulder, kissed her cheek, and left immediately. Lulu was stunned by the farewell kiss, watched her go away, and opened the door.
bedroom, interior, night
429. Medium Shot: Lulu enters the house and closes the door, immediately taking off the bride's headgear, as if removing the shackles that restrict her freedom of movement. 430. Medium Shot: Sigorshey throws roses slightly drunkenly in front of the bed. Rodrigo grinned beside him. The bedroom is illuminated by expressionist lighting from the floor. Behind Rodrigo, there is a bright wall lamp, and the light from the ground shines on the lamp base with the strange statue of an angel lying on his back, forming an eerie side projection. 431. Close-up: Sigorshey throws flowers on the wedding bed. 432. Lulu, who was standing at the door, saw this scene. 433. Sigorshi continues to throw roses. 434. Lulu walked over. 435. Sigorshey's wrinkled face. Lulu smiled. 436. Mid-view shot: Rodrigo standing in front of the dresser by the bed. He picked up an ashtray staggeringly and poured some champagne into it. 437. Same as 435: Lulu leaned over to kiss Sigorshey, and he stroked her neck lovingly. 438. The camera returns to a disheveled Rodrigo as he toasts their health with an ashtray.
dining room, interior, night
439. Medium Shot: Alva stands in front of the cupboard smoking a cigarette as guests walk by. 440. Medium Shot: Schon apologizes to the guests and goes to Lulu. 441. Close-up: He is standing in front of the bedroom door, and before entering, he turns to Alva. 442. Alva puts down his cigarette and walks towards his father, drawing from the right. 443. Same as 441: Alva approached Schön and declared to him in embarrassment:
(subtitle) "Dad...I'm leaving tonight...forever...
444. Schon just lowered his eyelids. Alva walked away, and Schon opened the bedroom door.
bedroom, interior, night
445. Medium Shot: Sigorshey sits on the bed with Lulu on his lap. 446. Medium Shot: The door opens and Schön appears. 447. Counterattack: Rodrigo, standing in front of the dresser, pours champagne into the ashtray again. 448. Close-up: Schoen's pale face. His eyes moved to the bedside. 449. Same as 445: Sigorshi sits on the bed and caresses Lulu on his lap. 450. Schoen takes off the monocle. 451. Counterattack: Rodrigo's laughter stops abruptly when he sees Schone. 452. Close-up: Rodrigo hands the ashtray to Schone like a goblet.
453. Close up shot: Schön walks forward menacingly. 454. Medium Shot: Rodrigo and Schön from the right. 455. Medium Shot: Sigorshey and the vine dew on his lap. She broke free as soon as she saw Shane. 456. Same as 454: Schoen knocked over the ashtray and splashed Rodrigo with alcohol. The burly man was so angry that he raised the bottle of wine in his other hand to beat Schoen. Lulu jumped in front of him and stood between them. 457. Sigorshi sat on the bed, eyes wide open. 458. Close-up: Lulu grabs Rodrigo by the arm and stops him. 459. Middle shot looking up slightly: Schoen turns around and bends over to rummage through the drawers of a cupboard. 460. Same as 458: Rodrigo holds the bottle threateningly, and Lulu grabs his arm tightly. 461. Same as 459: Schoen takes a pistol from a drawer, gets up and takes aim. 462. Close-up: Sigorshey stands up, eyes wide open in fright. 463. Close-up: Schoen's back, his pistol raised. 464. Sigorshi suddenly raised his hands and fled. The mid-shot panorama framed him and ran to the door with his hands up. 465. Same as 463: Schön chased after him with a gun. Lulu jumped behind him, wrapped her arms around his neck and pulled him back. 466. Same as 464: Sigorshi raised his hands. 467. Feature: Lulu and Schon scuffle. The light accentuated the outline of Schoen's flushed face. Lulu called into his ear:
(subtitle) "He's my father!"
468. Close-up: Schon finally gets rid of Lulu. 469. Medium shot: Sigorshi standing in front of the door, Rodrigo also raised his hand and stood with him. They stepped back to open the door and escaped through the vestibule.
foyer, interior, night
470. Panorama, medium shot, follow shot: Sigorsch and Rodrigo, they run across the hall among the guests with their hands raised. 471. Medium Shot: Schön squeezes his way through the crowd, with Alva close behind. 472. Medium shot: Siegolsch and Rodrigo among the guests, 473. Close shot: Schoen looks fierce, and the two ladies leave the aisle. 474. Counterattack: Sigorsi and Rodrigo still hold their hands in fear. 475. Schoen moved forward. 476. Medium Shot: Sigorsi and Rodrigo flee behind. Schoen's back, into the painting, he slowly put down the pistol. The guests dispersed, and there was a commotion. 477. Close-up: Schoen lowers the back of his hand, both humiliated and frustrated. 478. Medium Shot: Schoen's silhouette. Three gentlemen came to console him. In the background, the guests start to disperse...
bedroom, interior, night
479. Medium Shot: Alva helps Lulu get dressed again. She sat in an armchair and looked at him, and he asked:
(subtitle) "As long as you want to walk with me..."
480. Take 479: Lulu, who was sitting, looked up at Alva, she was very beautiful, and her face was even more radiant with the ferret collar.
living room, interior, night
481. Medium Shot: The last guests leave the lobby. The last gentleman took Schoen sympathetically by the shoulder and bid him farewell. Musicians draw from the background. Schon stood alone in the empty hall.
bedroom, interior, night
482. Backlighting, close-up: Lulu's charming face seen from Alva's shoulder. He leaned down to confess his love:
(subtitle) "I can't live without you!"
483. Alva knelt down to talk to Lulu. 484. Feature: Lulu's face. Unsettled by Alva's revelation, she held her breath. Alva's forehead rested on the young woman's shoulder. 485. Close-up: Alwana's anguished face on Lulu's shoulders.
hall, interior, night
486. Panorama, Medium Shot: Schoen walks slowly across the hall, past the instruments abandoned by the musicians. He walked forward mechanically, staring at the gun in his hand, and in a telling motion, pointed the barrel at himself. He approached the cupboard, mechanically trying to find a cup.
bedroom, interior, night
487. Medium Shot: Lulu sits and gently strokes Alva's head in her lap.
hall, interior, night
488. Continuing from the end of 486: Schoen put down the glass, calmed down, walked to the bedroom, and painted from the right.
bedroom, interior, night
489. Same as 487: Lulu watched Shane approach her. Schoen had a gun in his hand. 490. Counterattack: Schoen put away his questioning gaze. 491. Close-up: Alva's head showing on his knees. 492. Same as 490: Shane stares at Lulu. 493. Close-up: Lulu raises her eyes, expressionless, as innocent as an angel. 494. Counterattack: Schön extends his hand to Alva. 495. Same as 491: Schön's hand touched Alva's shoulder. He raised his head and left Lu Lu's knees, as if he had just come out of a dream. 496. Counterattack: Schon grabs Alva by the arm and pulls him up. Father and Son stand face to face. Schon said vaguely:
(subtitles) "You're... going to... miss the train!"
497. Close-up: Schön pulls Alva out. 498. Medium Shot: Lulu's silhouette as she watches them go away. 499. Medium Shot: Schön and Alva in front of the door. Alva walked out slowly, and Schon locked the door. 500. Same as 498: Lulu. 501. Counterattack: Schoen's back, forehead against the door. 502. Lulu got up from the chair, panorama, slapped, and moved to the dresser to the right. 503. Medium Shot: Lulu in front of the dressing table mirror. She took off her dress and put it on the chair. 504. Close-up: Schoen turns slowly. 505. The carefree Lulu admires the dress in the mirror and instinctively reveals a woman's charm. 506. Same as 504: Schoen walks forward. 507. Close-up: Lulu takes off the pearl necklace with one hand and plays with it in the palm of the other hand. She has her back turned to us, but a series of her movements can be seen through the reflection in the mirror. Shane's terrifying figure appeared behind Lu Lu in the mirror. She turned and backed away from the wall, trying to escape him. 508. Slightly leaning over from a close-up view: Lulu is cornered and stands against a wall. From the right of the painting, Schoen holds the barrel and hands the pistol over. Terrified to death, she stared at the weapon and shook her head vigorously. 509. Counterattack: Schoen grinned in pain and ordered:
(subtitle) "Take it!"
510. Same as 508: Lulu shook her head. 511. Counterattack: Schoen. 512. Insert shot: Lulu's hands are convulsing. The handle of the pistol moved closer. 513. Feature: Lulu's terrified face. 514. Same a
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