The powerlessness of little people

Weston 2022-03-23 09:02:31

Democracy and equality, for small people, may still not be available in America. "Dead Fat" Richard Jewell is an example. He is white, and he is not immune to racial discrimination, but he is not immune to contempt for the losers and the bottom of society.

He has been heroic since he was a child and is determined to join the law enforcement team and protect the people. The inner softness is naturally revealed from the love for the mother. Disadvantages are also obvious. He is black and white, only right and wrong, not grey. A security guard who sticks to his own opinions is often seen as an alternative. He also loves to show, out of pure pride and sense of justice, but being seen as a freak for being a "fat fat loser". No one will give him a second look, except for his mother, his best friend, and a lawyer with a discerning eye -- and I don't know if it's a glorification of the character.

He found a bomb at an event at the Atlanta Olympics, became a national hero overnight, and was praised by major media. His life reached the peak, and his mother shed tears of excitement. Joy has not been two days before, and suddenly became a suspect of the FBI. Once again, the media swarmed to report the constant visits from the FBI and the bewilderment of the mother and son of Richard Jewell. The ordeal continued for more than 80 days until the FBI announced that it had lifted its suspicions.

Although the little man has been unwilling, he still has faith. When a major event is imminent, it is discovered that the ideal is misplaced and the belief is suspicious. The so-called truth and justice are so clear, yet so out of reach. Ideals and beliefs collapsed, he told the FBI, "I've always been proud of law enforcement, but probably not anymore."

Even though there was never any evidence, Shaw, the detective, had always believed in his own judgment. Of course, in order to highlight the main line of the movie, it is very likely that the tracking on other clues will not be repeated, but Shaw still insisted until the end of the FBI announcement, that is, this dead fat man. His obsession likely represents the prejudice of most self-righteous Americans.

The fat man's Bole, lawyer Watson seemed like a clear stream, and his eyes focused on his advantages, and told him to keep it. Although this Bole is obviously looking down, he is much stronger than most people who don't even look at him.

Watson saw in the news that Richard had become a national hero, and contacted him immediately, asking him to be his lawyer, in case he couldn't understand the contract when the publisher asked him to sign a contract. When Richard became a suspect and sought his defense, he hesitated for a moment, until his assistant girlfriend reminded him that he was a judicial client.

It is undeniable that lawyers helped Richard to clear his suspicions, and it is undeniable that lawyers believed in Richard and spared no effort, but all of this may be out of sympathy and justice, and more likely out of a desire for resources that became popular after a hit. Even Richard himself blurted out when he was too annoyed once, don't you just want to earn legal fees for my publishing! After all, different classes, after all, meet by chance, and there is no friendship for no reason. A subtitle at the end of the film states that they became lifelong friends and that Richard's mother had children for the lawyer couple. This real follow-up is likely to be the true love triggered by sharing weal and woe.

As a movie, each character is expressed in a clear and three-dimensional way, and every conflict and emotion also makes the audience who are also small people feel unceasingly. Even if you are far away from Atlanta, even if the "disaster" has not come to you, the cruelty of reality is as clear as the movie, or even worse. For every little person, it is not easy to meet the sky, but the sky is broken. The ending of the movie is of course a fact, and it also comforts people's hearts, but everyone knows how much justice is won in reality.

(I just don't agree with the arrangement of the unscrupulous female reporter who broke the news to leave tears of repentance at the end. If this is not the case, the tears are too far-fetched. If this is the case, then the movie is lacking foreshadowing. One star will be deducted.)

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Extended Reading
  • Napoleon 2022-03-28 09:01:07

    I especially like this detail: After the FBI announced that Richard was "no longer an object of suspicion", he brought back boxes of his family's belongings, and his mother picked up the cup in the box, and someone had roughly written a drawing in black pen on the lid of the cup. The 38 in the circle is the item number. She wiped it with her fingers, but didn't wipe it off, and smiled bitterly—some things still couldn't be wiped off. The person who wrote that number was just playing by the book, he didn't think about the emotional harm he would do to others by marking with an indelible pen. The tears of the mother and the female reporter at the press conference were so unnecessary, I didn't like that scene. It's true that I've been wronged, so I can't make this cry. It's peaceful and unexpected. Rockwell's play has grown to his body, 100 likes.

  • Shanna 2022-01-06 08:01:16

    AMC. Every time the FBI asked Richard, the audience wailed. We need movies like this to remind us of zf and media abuse of power. The recurring i fear the government more than i fear territorist in Watson's office is the footnote of this film. The story is well told, and the actor in the bombing is also very suitable. I have watched three Rockwell in a row, he is my new favorite! !

Richard Jewell quotes

  • Watson Bryant: A little power can turn a person into a monster, Richard.

  • Richard Jewell: [to Bryant] I did not plant that bomb in Centennial Park, and I made the mistake of assuming you knew that.