I have read both the TV version and the comics. The comics are only mediocre and warm-blooded, and the TV version can even be said to be a little broken before the Vulcan Dance. I still don't understand how this work got to this place. Speaking of the theatrical version, the opening chapter, from the train, the dream, the conductor to the carriage full of flesh walls, reminds me of the famous introductory book "The Chamber of Darkness" by the coc running group. As for the author's reference, I don't know. In the dream, apart from the miserable sale of the protagonist, to pave the way for Yanzhu's death, the remaining two tool people are just pure jokes. I personally think that the combat part is bad in the hot-blooded comics. Each type of breathing and different moves seem to be different, but in fact, in addition to killing people, it is really lacking imagination, and it is completely a pile of special effects. The appearance of Shang Xian San forcibly divided the film into two parts, and the change of rhythm makes people feel disconnected. The ensuing battle of the strings seems to be exciting, but it is still a problem-both ghosts and people are very unimaginative in ability design, and the only thing left after removing the special effects is fighting each other. The ending of Yanzhu's death was actually done well, the hero's tragic and the protection of ordinary people are well reflected (although I don't understand Inosuke's disconnection very well), the protagonist's question about escaping the sun's winding can be regarded as a response to the winding "Why be a human" argument. The above is okay to look at alone, but it really doesn't rank among similar works. Personally, I think this work is a fan carnival, passers-by can only say that it is okay.
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