"The legal network is extensive, and omissions are not missed." President Bush's early escape, illegal transactions with oil tycoons, and election fraud are iron evidence that he cannot get rid of the crime. This [Fahrenheit 911] exposes Bush's ugly face in this administration of the United States, using real video materials, cross-contrasted clips, and dramatic music to criticize and ridicule the government that deceives the country and the people. 1. The power of real image data. When the film began to enter the Iraq War, the camera directly connected to the real picture of the front line. The footage in the document tracked and filmed a mother who lost her child in the Iraq War, risking her life in the ruins of the battlefield for the same long and fruitless experience as her. The "petitioner" made a sound, followed by a black screen for more than a minute. From the sound, it can be guessed that the scene must be extremely chaotic, and then the picture showed the American people screaming, crying and running around. The director did not show the panoramic picture to the audience, but instead used a long shot to show the faces of many people, making the audience feel fear, helplessness, and pierce the heart of the audience. Second, the persuasiveness of cross-editing. Cross-cutting is embodied in the dialogue editing of the parties. Everyone's words are compared with Bush's untruths, and Bush's lies are exposed one by one through comparison. Examples of progressive structure implantation can be found everywhere in the film. The other is reflected in the fast cross-cutting, using the fast cross-cutting to highlight the handshake conversations interviewed in front of the camera, emphasizing the vileness of Bush's crimes, making the film more persuasive while achieving a satirical effect. Infectivity. The music accompanied by Bush's speech is all western country music, and the music of the parties' conversation is the sound of fast-paced violin and organ. soul. The two different kinds of music can be switched freely, arousing the emotions of the audience, and with the cross-cutting, they cooperate with each other to form a montage effect. What is shocking in the film is not only the content brought by the real image data, but also the cross-editing. The interaction with the music makes people's emotions rise and fall, making the audience feel the tragedy of the story and the strong persuasion of the director.
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