Naoto Nakamura's presence is too strong, and he laughed out loud several times because of him. Because the uncle of the male protagonist has seen his Paradise Lost before, whenever he gives him a close-up, he is full of qingyu? Ben who dare not look directly at him. The best way to deal with the film is to start from the vulgar and end to the pure. It connects the Japanese who are famous for their rigidity with dance, and finally stays true to their heart of wanting to be happy in various social prejudices, and finds the "passion" of life. Still in 1996, it feels more pioneering. (Remembering that a male colleague who was in his 30s in the former company also went to dance class after get off work every day. After we heard about it, no one felt strange, but envied him that he lived a fulfilling life!)
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