There is really nothing to write about in this film, and it can even be said responsibly that this film has almost no plot. To put it bluntly, it is fighting for the sake of fighting. It's just that, I'm afraid even the director himself didn't expect that this film has a different artistic mood, and the mysterious props make the film literary and artistic at once. At least in my eyes, it can be said that it is literature and art for the sake of literature and art.
Whether it is the broken doll that the girl will never throw away; or the small rocking chair with the round seat in her hand; the gorgeous floral skirt; the hair of different lengths, even if it is messy, but beautiful and enchanting; The colorful cylindrical jelly beans, and even the monkey boy who appeared in the back, a patient with an upgraded version of Parkinson's syndrome, has a kind of literature and art that exudes the smell of flue-cured tobacco.
These details make me more and more unable to extricate myself. It's so literary, almost to the point of being a song and cry!
Back to the details.
Riding a small motorcycle, the fat man took the girl to collect the bill. The fat man's motorcycle hat and the girl's crouched sitting position reminded me of my favorite "Bad Boys". Especially the nervous look of the girl is too similar to Xiaobai. It's just that the roles are reversed. It's no longer the younger sister who needs to be protected, and it's no longer the elder brother who takes action to eradicate evil.
The fight in the whole scene, the use of props, and the performance of the supporting characters in the fight make me wonder if this is a film that pays tribute to Jackie Chan. Since I'm not familiar with directors and Thai films, I can't draw conclusions either.
And the fight scene at the end is a remake of "Kill Bill"! The only difference is that there is no splattered blood. Recalling the first part of the film, the girl and the fat man went to the pork man to collect the bill. Abnormal point! If this is not because the blood bag is too expensive, it is the so-called "style" that the director deliberately made.
Finally, let's talk about the actors. The only familiar face in the film, Hiro Abe, can only be said to be a big vase. This can't be blamed on Hiro Abe, after all, this play has no plot at all, and it doesn't matter whether it is acting or not. For those unfamiliar faces left, the mother is still suitable for delicate dressing. The shemales in Thailand are still so ugly. The male villain has not been seen clearly from the beginning to the end, and the fat man is very ordinary.
The only surprising thing is the heroine. Although she is too slender to make the fight look a little weak, her flexible skills and good posture can probably make her popular. But what impresses me the most is her pure and flawless face, which is so bewitching, she is completely an angel who has fallen into the world. I really look forward to her being able to make a literary film, because her whole person is like a freehand painting!
I like this movie, it has nothing to do with his fights, nothing to do with his actors, just because of his tune, that kind of literary and artistic gesture that is revealed unconsciously!
ps: Forgot to mention the little animation in the movie! Also learn "Kill Bill"! It's very cute, especially the little girl's huge hair and short body, hehe, regardless of the plot and the necessity of existence, like it!
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