Changed to the level of domestic dramas being scolded to death, with such a high rating, it can be seen that the audience is indeed culturally unconfident. The heroine, a real American Lu Xiaokui, Lily Collins, British Ouyang Nana, the fun of this show has no bright spots other than appreciating what the sister has brought to wear (also often overturns, belonging to Xiaohongshubo at station b) The topic that the Lord does not pay attention to)
The plot and the empty mirror of the stage puppets from ten years ago, let's talk about workplace dramas, the plot is suspended, and mkt practitioners want to laugh when they see it. Proposal inspiration depends on going out to see exhibitions, swiping ins, posting a little earthy video every day, you can increase your fans and be invited by luxury brands, get the opportunity to cooperate with fashion design masters, rely on self-declaration, but I have a dream, this is the wedding dress of heaven ? It’s still an insult to domestic dramas, and domestic dramas were not filmed like this three years ago.
Paris, a flowing feast, both the protagonist and the audience are full of fantasy about Paris and look forward to escaping some new perspectives on the comedy of American life. But in addition to the first two episodes, the whole line pulls the hips in the back. Except for the heroine and East Asian female partner's "Love Paris" and a few perfunctory scenery shots at the beginning of each episode, you can't see anything new. Even those stereotypes about Paris on the Internet (the city smells like urine, etc.) are disdainful to express. It doesn't mean that these stereotypes must be displayed and can be overturned, but this is what I expect as an audience. (Many of the stereotypes in btw gave me goosebumps all over. The rich East Asian female partner will inherit the family business and marry and have children when she returns to China; the American female protagonist's counterattack against male Ning, vagina should not be a feminine word and was The President's wife retweet,? Is this really a 2020 drama?? You can find some feminist topics on Jianzhong Weibo, which is fresher than this.
It doesn't need to be as detailed as a city documentary, but since there are so many expectations and suspense buried in the beginning, and the title of the play is like this, don't take up the shit hole. It's like writing a Beijing Women's Guidebook, but without the sandstorms of the two sessions of the military parade in Chaoyang District, Dama Hutong Chuanzi, you can translate the story to any city. It's much better to write about Shanghai when you're only thirty.
In short, it's a very uncomfortable drama to watch. The heroine's skills are too exaggerated, a kind of British Zheng Shuang, one more star for the heroine's 12,345,678 romantic encounters, which can make people love fiercely in a heroine's workplace drama Playing a male role, you can only say that Netflix is your blessing, garbage
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